News & Updates

  • Bentonville Film Festival to Push for Diversity in Film

    Posted by on January 08, 2015

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     Film Reporter @Variety_DMcNary

    Geena Davis is teaming with ARC Entertainment to launch the Bentonville Film Festival with the aim of highlighting diversity in film.

    The festival, set for May 5-9 in the Arkansas city, is touting itself as the only film competition in the world to offer guaranteed theatrical, TV, digital and retail home entertainment distribution for its winners.

    The festival — hosted by ARC Entertainment, Walmart, Coca-Cola and AMC Theatres — will be chaired by Davis and screen approximately 75 films in competition. Members of the advisory board are Angela Bassett, Bruce Dern, Samuel L. Jackson, Randy Jackson, Eva Longoria, Julianne Moore, Paula Patton, Natalie Portman, Nina Tassler and Shailene Woodley.

    Davis noted that she has been a longtime advocate for increasing participation by women and minorities in the entertainment industry.

    “The Geena Davis Institute on Gender in Media is dedicated to improving the representation in gender and diversity of talent, filmmakers, and business leaders by growing awareness through research, education and advocacy,” she said. “The Bentonville Film Festival is a critical component of how we can directly impact the quantity and quality of females and minorities on screen and behind-the scenes.”

    The winners of the Audience, Jury Selection and Best Family Film awards will receive a distribution agreement with a guaranteed traditional theatrical release on at least 25 screens from the AMC chain, which will also participate in the film submission and jury selection process.

    Davis told Variety that she’s been driven to continue working on diversity issues due to continued concern that women are not represented equitably in films — with three of four speaking roles still given to men.

    Walmart is based in Bentonville. Davis noted that she has been impressed with Walmart’s Global Women’s Economic Empowerment Initiative.

    Davis will also host the awards show for the festival, which will include panel discussions with celebrities and industry leaders, and family film night events that will be free to the public.

    Following the festival, the Bentonville Film Foundation plans to launch a year-round event calendar to promote women and minority filmmakers, artists, directors, and producers at colleges and universities in partnership with the Geena Davis Institute.

    Film submissions for the festival will open on Jan. 15, with films accepted into competition being announced in March.

    “We are looking for films that can succeed commercially,” Davis added.

    To qualify for the festival’s competition, a film has to meet two of seven requirements: female or minority lead; female or minority director; female or minority writer; female or minority production company; gender and diversity balanced cast; gender and diversity balanced crew; and family or shared viewing appropriate.

     Check this out at Variety.com

  • 'Jane The Virgin' Wins Favorite New TV Comedy At People's Choice Awards

    Posted by on January 08, 2015

    New comedies overwhelmed fall's TV lineup in 2014 but the new year began with the people’s decision: “Jane The Virgin” will have TV's last laugh.

    The critically-acclaimed CW series started awards season strong on Wednesday night, when the cast took home the People’s Choice Award for favorite new TV comedy.

    The show, which was adapted from Venezuelan telenovela “Juana La Virgen,” beat out the likes of “black-ish,” “Cristela,” and “Marry Me.” After the win, its star Gina Rodriguez sent out a video via Instagram thanking everyone who voted.

    This isn’t the only trophy “Jane the Virgin” is up for in 2015, in December the seriesreceived two Golden Globe nominations for best comedy series and best actress in a TV comedy for Rodriguez.

    News of the nomination gave the series a ratings boost, according to Entertainment Weekly, with the fall finale of the show raking in 1.3 million viewers -- matching its series-premiere best.

    While the show has yet to receive hit-level ratings, both “Jane the Virgin” and Gina Rodriguez have been widely recognized by critics for taking its wacky telenovela inspired premise and creating an authentic and grounded series. The show has also landed some big celebrities as guest stars, including Juanes, Paulina Rubio and soon actress Jane Seymour will join the cast with a recurring role, according to USA Today.

    Check this out at HuffingtonPost.com.

  • Ñetflix to Release These Latino Shows in 2015

    Posted by on January 08, 2015

    Written by 

    Netflix is about to get a lot more important in your life. If after losing weeks on end to House of Cards and Orange is the New Black you probably thought this wasn’t possible but, prepare to have your mind blown. The streaming-content-service-cum-global-media-empire announced a slew of new original scripted series for 2015 to solidify it’s position as post-television’s new big dog in a neighborhood filled with OG rottweilers like HBO and Showtime. In addition to a French-language political thriller (Marseille), a raunchy animated comedy created by Bill Burr (F is for Family), a Marvel superhero series featuringRosario Dawson (Daredevil), a global science fiction series by the creators ofThe Matrix trilogy starring several Latino actors (Sense8) and five more ambitious undertakings, it looks like Netflix is throwing a bone to the Latino market with two rather promising series.

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    Rosario Dawson will play Claire Temple in Daredevil.

     The first should please fans of the socially-minded Brazilian action franchise,Elite Squad, as Netflix has put director José Padilha at the helm of it’s expansive, internationally-focused narco-thriller, aptly entitled Narcos. Garnering comparisons to Traffic, Carlos and, surprise surprise, Elite Squad —Narcos is a detailed exploration into the complex world of drug trafficking in all its facets: legal, political, law enforcement, military and civilian. Starring square-jawed Chilean heartthrob Pedro Pascal, of Game of Thrones fame, as a DEA agent and centering on Pablo Escobar’s Medellin cartel (Brazilian actor Wagner Moura stars as Escobar), this one seems to be aiming for a broad audience despite its unmistakably Latin touch.

    Read more at REMEZCLA.com.

  • NALIP Trustee Barbara Matos Promoted to Vice President, Diversity, CBS Corporation

    Posted by on January 08, 2015

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    In this role, Barbara will continue to report to Josie Thomas, Executive Vice President & Chief Diversity Officer, CBS Corporation on diversity initiatives across the company as well as continue her work with diverse partners and local and national advocacy groups to enhance outreach. She will also continue to work closely on the CBS Diversity Institute Workshops and the CBS Diversity Comedy Showcase. Barbara Co-Chairs RAD, the CBS Diversity Employee Resource Group, and is a critical strategic partner with Thomas on the launch and expansion of the CBS Corporation Diversity Council on both the East and West coasts.

    Barbara has been with CBS since May 1995 when she joined CBS International, Business Affairs.  In 2000, she joined Thomas in the development of the newly created Diversity Department. From its inception she has been an integral component in the initiation of our wide range of diversity efforts. In 2013 she was promoted to Director, Diversity and prior to that she was Manager, Diversity.  Before joining CBS, Matos was a Paralegal at Mahler & Harris, P.C. and a registered Interpreter with the U.S. Department of Justice (1987-1995).

    Barbara is a graduate of St. John’s University.  She is a member of the Board of Trustees of the National Association of Latino Independent Producers (NALIP) and works closely with the Hispanic Federation and the Hispanic Organization of Latin Actors (HOLA).  Matos also served as a Big Sister in the Big Brothers Big Sister of New York City program and continues to be involved with the organization.

     

  • Intel Promises $300M To Boost The Representation Of Women And Minorities

    Posted by on January 08, 2015

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     @ TechCrunch

    In an afternoon keynote at CES 2015, Intel‘s CEO Brian Krzanich bounced on stage to pass out some slightly platitudinous statements about the future of technology, and to bring the audience dancers, a cello, and what appeared to be a boy band, all fused to trippy lights.

    It was fun.

    The most important part of the keynote came at the end, however, when Intel pledged to spend $300 million to bring its workforce diversity up to “full representation” of women and “underrepresented minorities” by 2020.

    Krzanich stated that “Intel will lead by example” on the issue, though he also noted that the lack of diversity in technology is something that the full industry must work on, and not just his company.

    To reach its goal, Intel will hire differently and tie executive pay to performance on the issue. The latter will likely ensure that those who make hiring choices obey the former. Krzanich also promised transparency on its progress.

    The main cutlet of the presentation saw the CEO outlining three forces that, in his view, will shape the future of technology. They are somewhat simple to understand, so let’s take them each in order.

    “Computing Unleashed:” In the view of Krzanich, computing is going to shift from a two-dimensional experience, to a three-dimensional experience. This meshes with other trends that have been seen in recent years, including three-dimensional televisions, and some work in gaming.

    He also stated that “computers are gaining senses,” something that “will result in their ability to understand.” Krzanich is correct in that computers are becoming increasingly sensory. But — and as we will see shortly in his other points — sensors are proliferating everywhere, so the point becomes correct from both directions at the same time.

    Krzanich noted a Dell tablet, and a camera, both which use the company’s “RealSense” technology to bring three-dimensions into the consumer space, implicating photography and the like. Intel also spend some time discussing wireless powering, for the second year running. Last year, the company showed off a bowl that had wireless charging technology. This year, it showed off a tablet that had the same capability.

    “Intelligence everywhere:” Intel stated that the Internet of Things is in fact not a new concept, but was instead something that has been around “for years.” Intel also pointed out that the things that make the Internet of Things what it is — increasingly intelligent, connected objects — are growing in sophistication.

    Krzanich then brought out a robot that had a screen showing off the face of a human, and then a host of drones that sounded like that bees nest you stepped on when you were a small child. Importantly, the CEO coined a new phrase: Drone ping-poing.

    Read more at TechCrunch.com.

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  • North American cinema attendance drops to lowest level in two decades

    Posted by · January 02, 2015

    chairs-theatre.jpegPhotograph: Elena Segatini Bloom/Corbis

    Numbers of people heading to cinemas across Canada and the US fall to lowest figure since 1995, while Chinese total rises by 34.5 percent.

    The number of people going to the cinema in North America has fallen to its lowest level in two decades, according to figures published by The Hollywood Reporter.

    Around 1.26 billion filmgoers bought tickets to see a movie in 2014, the lowest number since 1995, when the figure was 1.21 billion. The disappointing return offers further evidence that the US, which makes up by far the largest portion of the North American box office, is likely to lose its position as the world’s largest film market to China before the end of the decade.

    The average cost of a movie ticket was slightly up, from $8.13 in 2013 to $8.15 this year. But it is still estimated that overall revenue fell by 5% since 2013, to around $10.36bn – the biggest annual drop in nine years.

    In China, latest studies suggest 830 million people bought tickets in 2014. That figure is up 34.5% on last year, and suggests that the country could overtake North America on tickets sold by 2017. Overall revenue stands at $4.77bn – still less than half of the North American total, but up by 36% on 2013.

    The North American box office suffered in large part because of the failure of a number of blockbuster sequels to match the financial returns of their predecessors. The Amazing Spider-Man 2, released in May, took just $202m in the US and Canada, compared to $403m for Spider-Man in 2002, the year that the North American box office hit an all-time high with 1.57 billion people buying tickets.

    June’s Transformers: Age of Extinction and November’s The Hunger Games: Mockingjay Part 1, also produced weaker results than predecessors. And Marvel’s Guardians of the Galaxy, while performing superbly for a previously unheralded comic book property, with $332m in North America, could not hit the heights of the same studio’s The Avengers ($623m in 2012) or Iron Man 3 ($409m in 2013). 

    It’s not all bad news, however. Next year sees the release of blockbuster shoo-ins such as The Avengers: Age of Ultron, the final instalment in The Hunger Games saga, and, at the tail end of the year, the new Star Wars effort The Force Awakens. Other films which might plunder the box office include the new Jurassic Park movie, Jurassic World, Pixar entries Inside Out and The Good Dinosaur, Disney’s live action fairytale Cinderella and the much hyped sex drama Fifty Shades of Grey.

    Check this out at TheGuardian.com

  • 10 Latino Films To See From 2014

    Posted by · January 02, 2015

    BY Sandra Guzman @ NBC News

    The buzz among film enthusiasts has been building for years that some of the edgiest, most provocative and beautiful movies and documentaries are not being made in Hollywood, but rather in pockets of the USA and in nations south of the border such as Mexico, Argentina, Chile, Colombia and Brazil.

    The universe of Latino and Latin American cinema released to American audiences in 2014 is rich and varied and shows why there is so much excitement around the Latin cinema boom. These 10 films - many which had already won international awards before their 2014 U.S. releases -are a tiny sampling of the Latino and Latin American movies and documentaries you might catch in theaters, film festivals or through online streaming. Pass the popcorn and enjoy!

    Heli

    Directed by Amat Escalante

    It was only a matter of time before Mexico's hellish drug wars made its way to the big screen. In Heli, love is explored under the intense pressure of crime, violence and corruption. The film surrounds the love story of a 12-year-old girl and her older boyfriend, a police officer. Amat Escalante snagged the 2013 Best Director nod from the prestigious Cannes Film Festival and he can expect a lot more awards to come for this harsh, raw, and enthralling film.

    El Lugar del Hijo

    Directed by Manolo Nieto

    It already won the Cuban Film Festival's top honors. This gripping film tells the story of a young Uruguayan activist who returns to his family's ranch after the death of his father to sort out his family's affairs and confronts his new life as a land-owning bourgeois. Class struggle and family drama are all told in the backdrop of Latin American politics. This makes for a powerful story.

    The Quispe Girls

    Directed by Sebastian Sepulveda

    Based on a true story, the debut of Sebastian Sepulveda will guarantee this young director international attention and praise. Three sisters, shepherds from the altiplanos of Chile, become increasingly despondent over the changing world under the brutal dictatorship of Augusto Pinochet. Feeling lost and lonely, they commit suicide, but not before killing their animals. The tragedy caused a stir in 1974, and revisiting this heartbreaking incident will inevitably stir old emotions in a country still healing from its brutal political past. The visuals alone of the vast Chilean mountains makes this feature a riveting experience.

    Cristo Rey

    Directed by Leticia Tonos

    This is as close as you get to a Dominican version of Romeo and Juliet, and of course, Romeo is Haitian Dominican. It tells the story of two half brothers vying for the love of one a young woman who is the daughter of a drug kingpin. Directed by Leticia Tonos, the feature captures the drama of contemporary Dominican Republic amid a backdrop of drugs, love, corruption, beauty and violence.

    Cesar's Last Fast

    Directed by Richard Ray Perez

    In 1988, Cesar Chavez was 61 and restless about the plight of farmworkers, so decides to begin a fast to raise national awareness about the use of pesticides in the US. That last fast that almost killed the labor leader makes up the central theme of this wonderful documentary. It features never-before-seen intimate footage of Chavez' life, including the waning days of the visionary and heroic American leader. In a story within a story, press secretary Lorena Parlee - who had incredible access to the leader and shot most of the footage of the 36-day fast - died of breast cancer before completing the film. However, she passed it along for Perez to complete. This is a powerful piece of history worth seeing.

    Cesar Chavez: An American Hero

    Directed by Diego Luna

    Yes, 2014 was the year of Cesar Chavez. He had two films exploring his life and a US stamp in his honor. This feature film explores the life and legacy of an American hero. The film was directed by Diego Luna and features a convincing Michael Peña as Chavez. While some criticized the film as not being complex enough, it's worth noting that this is the first time that the story of this American hero is explored on the big screen. John Malkovich plays the greedy farm owner, Rosario Dawson plays Dolores Huerta, the co- founder of the Farm Workers Labor Union and America Ferrera is Chavez's fierce wife. The story of these Latinos and their historic role in the U.S. labor movement is not commonly told in Hollywood.

    Pelo Malo

    Directed by Mariela Rondon

    NBC News recently interviewed the Venezuelan director of the critically acclaimed feature "Pelo Malo." The film tells the story of a young boy who wants to straighten his curly mop for a school photo. This award-winning film is a powerful and nuanced exploration of Latin American racism, homophobia and political intransigence. Already a winner of juries and audiences alike, the film will continue to provoke audiences everywhere it's shown.

    Birdman

    Directed by Alejandro Gonzalez Iñarritu

    There are no leading Latino actors in this film, but Oscar-nominated Mexican director Alejandro González Iñárritu has created a visually and musically stunning "Birdman." The visuals alone - a nod to Latin American magic realism - make this film worth seeing, as does the musical score by jazz drummer Antonio Sánchez, who recently received a Golden Globe nomination for Best Musical Score. (The film has garnered the most Golden Globe nods, including Best Movie and Best Director.) This beautiful, funny, and unusual movie tells the story of a washed-up movie star hoping to restart and reimagine his career by mounting an ambitious Broadway play. This was a movie within a play within a movie. It has awesome music, great directing and acting - and a whole lot of Oscars buzz.

    Coffee: Songs of Smoke

    Directed by Hatuey Viveros

    The theme of fathers and sons pops up several times this year, including in the film "Coffee: Songs of Smoke." It was nominated for best documentary by Cinema Tropical, the New York City-based Latino film distributing and programming organization that holds its own "Academy Awards." In the film we meet a Nahuatl family from the coffee region of the Mexican Sierra. The patriarch has died and two sons must decide their fate. One of them, Jorge, struggles with the opportunity to practice law or stay working his lands. It's rare to hear the indigenous language spoken on the big screen; for that alone it's worth the treat. The beautiful indie film is making the rounds in festivals around the world. Look for it in a theater or streaming service near you.

    Las Marthas

    Directed by Cristina Ibarra

    "Las Marthas" documentary follows two debutants who participate in a 116-year old month-long celebration of George Washington's Birthday in Laredo, Texas. The highlight of the celebration is an invite-only debutant ball. The film captures the rites of passage of young Latinas, the gilded and extravagant dresses - some costing up to $30,000 and weighing up to 100 pound -as well as class struggles and the immigrant experience. Who knew Mexicans loved Martha Washington so much?

    Check this out at NBCNews.com