News & Updates

  • CBS Diversity Showcase Gets Laughs and Jobs for Talent

    Posted by on January 20, 2015

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    FRANCIS SPECKER/CBS

    If laughter is the best medicine, then for an industry still ailing from a lack of diversity onscreen, the CBS Diversity Comedy Showcase might be the perfect R/x. 

    Now in its 10th year, the showcase is designed to introduce industry folks, especially casting agents and directors, to the talents of women and minority actors looking to break into the world of network comedy. While other nets put on similar comedy events, the CBS effort is unique in its sketch format. Alumni of the showcase have gone on to gigs on such shows as “Saturday Night Live” (Kate McKinnon), “The Daily Show” and “Heroes” (Masi Oka).

    Tiffany Smith-Anoa’i, vice president of diversity and communications at CBS, has worked closely with casting co-topper Fern Orenstein, who produces the annual showcase, since the event’s inception. Smith-Anoa’i’s goal is to help these actors find jobs on popular shows.

    “We’re broadcasters — I want to be as broad as possible. I’m encouraged by what I have seen so far in the industry, but I am relentless in reaching this goal.”
    That goal looks more attainable with each passing year, according to Smith-Anoa’i. After rehearsing for weeks with director Rick Najera (a writer on “In Living Color” and “MADtv”), the 21 actors involved will perform sketches this weekend (penned by minority writers) that satirize racism and sexism — and demonstrate their proficiency in comedy, and even song and dance.

    Smith-Anoa’i hopes that those who attend the showcase will be encouraged by the casting possibilities it presents. “Before you see someone’s diverseness, no matter what makes them diverse, remember that they’re acting. They can do any role. It’s a little more palpable when you can talk about it and laugh.”

    The showcase will be performed four times on Jan. 20-22 at the El Portal Theater in North Hollywood.

    Check this out at Variety.com

     

     

  • Academy President Responds to Lack of Oscars Diversity

    Posted by on January 18, 2015

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    President of the Academy of Motion Picture Arts and Sciences, Cheryl Boone Isaacs. Photo: AP

    LOS ANGELES — Responding for the first time to the firestorm of criticism over the lack of diversity in this year’s Oscar nominations, film academy president Cheryl Boone Isaacs says the all-white acting slate inspires her to accelerate the academy’s push to be more inclusive. She also hopes the film industry as a whole will continue to strive for greater diversity.

    The first black president of the Academy of Motion Picture Arts and Sciences spoke out Friday night in an exclusive interview with The Associated Press about the Oscar nominations and the widespread criticism that followed.

    All 20 of this year’s acting contenders are white and there are no women in the directing or writing categories. After the nominations were announced Thursday morning, the hashtag #OscarsSoWhite started trending on Twitter.

    The Asian Pacific American Media Coalition issued a statement Friday saying the nominations balloting “obviously reflects a lack of diversity in Oscar voters as well as in films generally.”

    Yet Boone Isaacs insisted the academy is “committed to seeking out diversity of voice and opinion” and that outreach to women and artists of color is a major focus.

    “In the last two years, we’ve made greater strides than we ever have in the past toward becoming a more diverse and inclusive organization through admitting new members and more inclusive classes of members,” Boone Isaacs said. “And, personally, I would love to see and look forward to see a greater cultural diversity among all our nominees in all of our categories.”

    A 2012 survey by the Los Angeles Times found the academy was 94 percent white, overwhelmingly male and with a median age of 62. A more recent survey determined the percentage of older white males had dropped by one point, the Times said. But with nearly 7,000 members and no requirement to retire, diversity is going to take some time.

    Boone Isaacs declined to address whether she and the academy were embarrassed by the slate of white Oscar nominees, instead insisting that she’s proud of the nominees, all of whom deserved recognition.

    She explained that while each branch comes up with its own criteria for excellence and each nominates its colleagues, all voting is individual and confidential.

    For instance, only directors can suggest best director nominees and only actors can nominate actors. But the entire academy membership can submit suggestions for best picture.

    “There is not one central body or group of people that sit around the table and come up with nominations,” she said. “It really is a peer-to-peer process.”

    With all the accolades the civil rights drama “Selma” has received since its Christmas opening, some felt its failure to garner nominations for director Ava DuVernay or star David Oyelowo reflected a racial bias.

    “What is important not to lose sight of is that ‘Selma,’ which is a fantastic motion picture, was nominated for best picture this year, and the best picture category is voted on by the entire membership of around 7,000 people,” Boone Isaacs said.

    Besides best picture, the film received just one additional nod — for original song — in what was widely viewed as a significant snub. But fans shouldn’t feel that way, she said: “It’s nominated for the Oscar for best picture. It’s an award that showcases the talent of everyone involved in the production of the movie ‘Selma.'”

    Boone Isaacs says the five best actor nominees — Bradley Cooper (“American Sniper”), Steve Carell (“Foxcatcher”), Benedict Cumberbatch (“The Imitation Game”), Eddie Redmayne (“The Theory of Everything”) and Michael Keaton (“Birdman”) — “are all at the top of their game.”

    “There are quite a few actors this year at the top of their game,” she said. “There are five nominees and this year, these were the five.”

    Diversity outreach is spread among the academy’s 17 branches, she said, since existing members recruit new ones.

    “This is a membership organization, so we are all involved in this discussion and moving the subject of diversity forward,” she said. “It’s very important for us to continue to make strides to increase our membership and the recognition of talent.”

    In its Friday statement, the Asian Pacific coalition said the responsibility for diversity in film should be industry-wide.

    “It behooves Hollywood — as an economic imperative, if not a moral one — to begin more closely reflecting the changing face of America,” the statement said.

    Boone Isaacs agrees, saying that as the academy “continues to make strides toward becoming a more diverse and inclusive organization, we hope the film industry will also make strides toward becoming more diverse and inclusive.”

    Though she repeatedly stressed the Oscars are a competitive process and that she’s proud of the year’s nominees, Boone Isaacs acknowledged that diversity needs to be mandatory in both story and storyteller.

    “It matters that we pay attention to, again, the diversity of voice and opinion and experience, and that it doesn’t slide, it doesn’t slide anywhere except for forward,” she said. “And maybe this year is more just about let’s kick it in even more.”

    Check this out at the New York Post.com.

  • NALIP Latino Media Market Fellow Sells Script, Plan-V

    Posted by on January 15, 2015

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    NALIP member and Latino Media Market fellow Sara Seligman has sold her script "Plan-V" to No Dancing Today. A story that started as her thesis feature script while attending the NYFA directing program, after attending the 2011 NALIP Latino Media Market, Seligman continued script work with Romina Sacre. Last year, after continued interest, No Dancing Today bought "Plan-V".

    "Plan-V" tells the story of three friends. After one of them is left heartbroken by her first love, her friends convince her that the only way to find a man that will love her and honor her is by finding a virgin. So their quest begins; it turns out that finding a virgin is a lot harder than they expected! In the end they will find something much more important than a Virgin. With this romantic-comedy "Plan-V" breaks the mold placing women in "control" of the seduction game, and not just the bystanders that they are often portrayed to be.

    Since graduating Sara has also written "Falcon Lake" a feature script that earned her the TAA Tribeca Film Institute grant and directed two shorts; a horror film: Hawkins Hill  and Diego. She is currently crowd funding her new short-film "Voladores" that focuses on a piece of ancient Mexican culture; the "Papantla Flyers."  

    TThe Latino Media Market (LMM) consists of a meeting series for selected submitted projects. Filmmaker participants meet one-on-one with industry representatives who can provide sound advice on how to advance their project to the next level. If a project meets the specific needs of the company, this can potentially open a window for the project to grow into a commissioned pilot, or obtain broadcast licenses or completion funds. The LMM 2015 application and deadline will be announce within early 2015. Stay tuned.

    Related: Diego

  • The Academy Shows its True Colors (Or Lack Thereof)

    Posted by on January 15, 2015

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    Announced Thursday, bright and early were the 2015 Oscar nominations, and along with it the discovery that this will be the whitest Oscars in years. Proof that further supports that Hollywood's approach to diversity is more than lacking

    A previous report from the Los Angeles Times revealed Oscar voters are 94% white, 77% male and only 14% under the age of 50 from a total average of 5,765 voters. 

    "The Academy is showing its true colors" said Axel Caballero, Executive Director, NALIP. 

    This years nominations are absurdly lacking diversity, and that can't be said for the talent available this year with "Selma" expected to have garnered many academy nods in various categories, including a Best Director nomination for Ava DuVernay. This years recognized academy talent reflects a completely white selection within the both Best Actor/Actress and Supporting Actor/Actress categories, that include Reese Witherspoon and Benedict Cumberbatch. 

    It's time the Academy of Motion Picture Arts and Sciences diversified to reflect an industry that doesn't lack diversity within it's talent, even while it appears to be an industry that fails to recognize it. 

    Leave a comment below, with your message to the Academy.

    Related: Oscar 2015 Nominees Expose Academy’s Lack of Diversity 

  • Golden Globe Winner Gina Rodriguez's Shout Out To Latino Community

    Posted by on January 15, 2015

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    Source: Getty / Maarten de Boer

    Gina Rodriguez's Golden Globe win was already a point of pride for many who were rooting for the "Jane the Virgin" star, but it was her heartfelt shout out to the Latino community that really struck a chord with fans and critics alike:

     

    "This award is so much more than myself," Rodriguez said tearfully. "It represents a culture that wants to see itself as heroes," said the Latina actress in an acceptance speech that quickly went viral.

    Backstage after the award, Rodriguez expanded - in English and Spanish - on what the win meant for her as a young Latina actress.

    "First and foremost, the nomination alone was a win for me because it allowed our culture, it allowed Latinos to see themselves in a beautiful light," Rodriguez said. "For me, the win meant everything."

    "I'm definitely part of the testament that it's changing. It's not only something that I see, but something I experience everyday."

    Rodriguez also said the win "...allowed [Latinos] to see themselves invited to the same party. We want to create the effect that shows Latinos as the investment bankers and the lawyers that exist in my own home." Rodriguez was referring to her sisters, whom she thanked in the awards show for being role models. One is an investment banker and another a lawyer.

    The Chicago-born daughter of Puerto Rican parents and New York University graduate has always embraced her cultural identity. She told NBC Latino in 2012 that "I have a real responsibility to all the little girls out there to be the story-teller I was born to be. And that's a very, very special role that I won't ever take lightly." The actress works with the National Hispanic Foundation For the Arts and other groups.

    Rodriguez was named one of "top 35 Latinos under 35" by the Hollywood Reporter after gaining recognition for her starring role in the movie "Filly Brown" and "Sleeping With The Fishes."

    Latino groups have been proudly tracking the young star and recognizing her talent. Rodriguez was awarded the Lupe Award - for the late Latina actress Lupe Ontiveros - in 2013.

    "Feisty, deeply intelligent and unafraid, Gina Rodriguez brings to her work the same qualities that shone through in Lupe Ontiveiros' work for decades," said María Agui Carter, chair of National Association Of Latino Independent Producers.

    Check this @ NBC News.

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  • Netflix announces filming of "Club de Cuervos" in Mexico

    Posted by · January 15, 2015

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    DANIEL DAZA/NETFLIX

    Netflix announced Wednesday in a communique the start of filming for its first Spanish-language series - entitled "Club de Cuervos" - at different sites in Mexico.

    The digital content platform, together with Alazraki Entertainment, has reunited the team from the successful Mexican film "Nosotros los Nobles" and is now filming the series dealing with a family feud among heirs after the death of the owner of a professional soccer team.

    Gaz Alazraki is the director of the project and Luis Gerardo Mendez will star in the series.

    The 13-episode series, which will provide a satirical and entertaining view of the world of pro soccer, will begin airing in 2015.

    Rounding out the cast are Mariana Treviño, Stephanie Cayo, Daniel Gimenez Cacho, Antonio de la Vega, Ianis Guerrero, Jesus Zavala, Veronica Teran and Carlos Bardem, among others.

    Alazraki, Leo Zimbron and Mike Lam will produce the project, which is based on a story created by Lam.

    Months ago, Ted Sarandos, the director of content for Netflix, said that he was sure that the platform's customers "will love this family comedy." EFE

    Check this out at Fox News Latino

    Gaz Alazraki participated in the 2014 NALIP Media Summit.

  • Women Wrote 17% of 2014's Top 250 Grossing Films

    Posted by · January 15, 2015

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    By Laura Berger | Women and Hollywood

    On Wednesday, we revealed that women directed only 17 of last year's top 250 grossing films -- a depressing 6.8%

    Fortunately, the number of female screenwriters who penned the scripts to 2014's biggest commercial successes is considerably higher. Don't get too excited, though: Of the 250 top-grossing films of last year, female screenwriters wrote, or co-wrote, just 43 of them, coming in at 17.2%. That's an improvement from 2013, when women accounted for 10% of the writers working on the top 250 films. Of course, it is important to bear in mind that female screenwriters have less movies produced overall, and accordingly aren't well-represented in lists such as these. 

    2014's biggest box office hit (as of today), Guardians of the Galaxy, was co-written by a woman: Nicole Perlman. Perlman previously worked as an uncredited script doctor on Thor and, according to IMDB, she's working on the treatment for the much-anticipated and long-overdue Black Widowfeature. We're excited to see Scarlett Johansson's Black Widow in the spotlight, especially because Perlman, a woman, will play an instrumental role in further fleshing out this character. 

    The highest-grossing movie written by a woman and focusing on a female character in 2014 was MaleficentPenned by Linda Woolverton,Maleficent offered an entirely new take on the "villainess" of Sleeping Beauty. As Woolverton acknowledged in an interview with Women and Hollywood, "It was very difficult to turn a villain into a hero and yet keep her a villain." Audiences were obviously keen to witness this reinvention of the famed character: the Angelina Jolie vehicle made over $240 million dollars in theaters, making it the 6th highest-grossing movie of 2014.

    1.  Guardians of the Galaxy – Co-Written by Nicole Perlman ($333,055,258)

    6.  Maleficent – Written by Linda Woolverton ($241,410,378)

    8. The Hobbit: The Battle of the Five Armies – Co-Written by Philippa Boyens and Fran Walsh ($225,764,000)

    10. Dawn of the Planet of the Apes – Co-Written by Amanda Silver ($208,545,589)

    17. Gone Girl – Written by Gillian Flynn ($166,836,404)

    18. Divergent – Co-Written by Vanessa Taylor ($150,947,895)

    21. Rio 2 – Co-Written by Jenny Bicks ($131,538,435)

    37. Tammy – Co-Written by Melissa McCarthy ($84,525,432)

    39. The Other Woman – Written by Melissa Stack ($83,911,193)

    43. Annie – Co-Written by Aline Brosh McKenna ($73,710,989)

    58. No Good Deed – Written by Aimee Lagos ($52,543,632)

    60. Ouija – Co-Written by Juliet Snowden ($50,856,010)

    61. The Boxtrolls – Co-Written by Irena Brignull ($50,628,602)

    63. If I Stay – Written by Shauna Cross ($50,474,843)

    65. About Last Night – Written by Leslye Headland ($48,637,684)

    69. Blended - Co-Written by Clare Sera ($46,294,610)

    76. The Expendables 3 – Co-Written by Katrin Benedikt ($39,322,544)

    78. Sex Tape – Co-Written by Kate Angelo ($38,543,473)

    101. Endless Love – Co-Written by Shana Feste ($23,438,250)

    102. Pompeii – Co-Written by Janet Scott Batchler ($23,219,748)

    109. Addicted – Co-Written by Christina Welsh ($17,390,770)

    114. Devil’s Due – Written by Lindsay Devlin ($15,821,461)

    117. Beyond the Lights – Written by Gina Prince-Bythewood ($14,567,906)

    123. Belle – Written by Misan Sagay ($10,726,630)

    132. Legends of Oz: Dorothy’s Return – Co-Written by Randi Barnes ($8,462,027)

    149. Ida – Co-Written by Rebecca Lenkiewicz ($3,702,612)

    155. Veronica Mars – Co-Written by Diane Ruggiero ($3,322,127)

    158. Obvious Child – Written by Gillian Robespierre ($3,123,963)

    163. The Good Lie – Written by Margaret Nagle ($2,719,374)

    1802014 Oscar Nominated Shorts – Co-Written by Lauren MacMullan, Nancy Kruse, and Julia Donaldson ($2,171,849) (Get a Horse – Co-Written by Lauren MacMullan and Nancy Kruse; Room on the Broom – Co-Written by Julia Donaldson)

    198. Hector and the Search for Happiness – Co-Written by Maria von Heland and Tinker Lindsay ($1,124,445)

    201. Laggies – Written by Andrea Seigel ($1,066,981)

    202. 50 to 1 – Co-Written by Faith Conroy ($1,064,454)

    211. Shaadi Ke Side Effects – Co-Written by Zeenat Lakhani ($921,277)

    220. Palo Alto – Written by Gia Coppola ($767,732)

    221. The Babadook – Written by Jennifer Kent ($742,092)

    223. Land Ho! – Co-Written by Martha Stephens ($727,594)

    224. Yves Saint Laurent – Co-Written by Marie-Pierre Huster ($723,593)

    225. Khoobsurat – Written by Indira Bisht ($710,508)

    227. Men, Women & Children – Co-Written by Erin Cressida Wilson ($705,908)

    228. Frankie & Alice – Co-Written by Cheryl Edwards, Mary King, and Anna Waterhouse ($695,876)

    245. Tracks – Written by Marion Nelson ($510,007)   

    250. But Always (Yi Sheng Yi Shi) - Written by Snow Zou ($430,760) 

    [via Box Office Mojo as of January 8, 2015]

    Check this out @ Indiewire.