News & Updates

  • National Listening Tour for Independent Films on PBS

    Posted by on February 11, 2015

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    Join us in New York City - the next stop on the National Listening Tour for Independent Films on PBS - on February 23rd, from 2 PM ET to 5 PM ET, along with PBS, POV, ITVS, WNET, Independent Lens and the Indie Caucus. The event will take place at the SVA Theatre in Manhattan. RSVP now »

    In keeping with its commitment to independent film and filmmakers, PBS leadership is hosting a series of open forums around the country with independent filmmakers, PBS series producers, and other public media and community partners. At each event, participants are invited to voice their priorities and innovative ideas on how all can work together to strengthen distribution, viewership and community engagement through Independent Lens, POV and all kinds of independent films.

    Watch highlights from San Francisco, the first stop on the tour last month. The Indie Caucus and Kartemquin Films will host a third stop in Chicago in March, date TBD.

  • Netflix Is Now Available In Cuba, But Is Anyone Watching?

    Posted by on February 10, 2015

    This week the folks over at Netflix have revealed that, in addition to groundbreaking original programming, they also have a rather twisted sense of humor. In a variation on the old “if a tree falls in the woods” riddle, Netflix has seemingly asked the world: “If Netflix expands service to a country with no internet, will anyone watch it?” If you hadn’t guessed, the country in question is Cuba.

    Taking advantage of the recent diplomatic thaw announced by president Obama, Netflix has moved quickly to expand service to the Caribbean island-nation of 11 million. The service officially launched in Cuba as of February 9, 2015. Residents can gain access to a mix of TV shows, movies, and original programming like House of Cards and Orange is the New Black starting at $7.99 per month.

    While on one level, Netflix has shown itself to be at the vanguard of renewed economic relations between the U.S. and Cuba, the real impact of the move is highly questionable given that monthly subscription rates at Netflix approach about half of the $20 average monthly income on the island. Add to that the fact that there are little over 5,000 broadband subscriptions throughout the country — most of which are for large institutions, hotels or resident diplomats — and you’ve got a recipe for a symbolic gesture with no real consequences. At least for now.

    As part of recent agreements between Cuban president Raúl Castro and Barack Obama, the U.S. will be authorized to export telecommunications equipment to Cuba, which could ostensibly plug in one of the least connected nations on the planet. Nevertheless, previous debacles with the infamous fiberoptic savior from Venezuela suggest that connectivity problems on the island might have more to do with what goes on internally than with what comes in from outside.

    Read more at Remezcla.com

  • SXSW 2015: WORLD PREMIERE of NALIPster Bernardo Ruiz’s KINGDOM OF SHADOWS

    Posted by on February 05, 2015

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    KINGDOM OF SHADOWS, the latest documentary by filmmaker Bernardo Ruiz (Director of the Emmy-nominated REPORTERO and former NALIP Board Member) will have its WORLD PREMIERE at SXSW 2015!

    The talented crew includes many long-standing NALIPsters including Editor Carla Gutierrez, Producer Katia Maguire and Cinematographer Antonio Cisneros, among many other talented collaborators.

    KINGDOM OF SHADOWS is a unique and provocative film that follows three people grappling with the hard choices and destructive consequences of the U.S.-Mexico narco conflict. At first glance, the lives and experiences of a nun in northern Mexico, a rancher in Texas and a U.S. Federal agent on the border, do not appear to be linked. As the film unfolds, however, the intrinsic connections between their stories and contexts are slowly revealed. ‘SHADOWS’ also delves into the recent history of this conflict by examining a key part of the human rights crisis that has been growing in Mexico for years, yet only recently made international headlines. The film was produced by PARTICIPANT MEDIA [http://www.participantmedia.com/] in association with Ruiz’s New York-based documentary production company, QUIET PICTURES [http://www.quietpictures.com.]

    For more about the film’s premiere visit SXSW.

    To learn more about upcoming screenings please check out:

    F: facebook.com/quietpicturesmedia T: twitter.com/quietpictures

  • Latino Directors Totally Owned The Sundance Film Festival Awards Ceremony This Weekend

    Posted by on February 05, 2015

    Kyle-Patrick-Alvarez-Sundance-Stanford-700x660.jpegDirector Kyle Patrick Alvarez with cast of ‘The Stanford Prison Experiment”

    Following 10 jam-packed days of screenings, panels, press events, and parties, this past Saturday, the jurors for the 2015 Sundance Film Festivalannounced the winners. The chosen films, both documentary and narrative, featured stories about freedom of expression and denounced the racism that plagues our society. As the filmmakers picked up their awards — all from different countries — they gave impassioned and emotional speeches.

    In the World Cinema Documentary Competition, the film The Russian Woodpecker was awarded the Grand Jury Prize. Director Chad Gracia dedicated the award to jailed Ukrainian filmmaker Oleg Sentsov. Even more powerful were the acceptance speeches by the film’s subject, artist Fedor Alexandrovich, and cinematographer Artem Ryzhykov, who called for the West to help Ukraine stop Russia’s military campaign.

    Watch the entire 2-hour-long Sundance Closing Night Ceremony

    Similarly heartbreaking were the words of those involved with the documentary 3 ½ Minutes, which took home the U.S. Documentary Competition Jury Award for Social Impact. The film focuses on African American teen Jordan Davis’ death and the terrible repercussions of Florida’s “Stand Your Ground” laws. Although director Marc Silver wasn’t present, producer Minette Nelson was very moved by the recognition and decided to let Jordan’s parents, Ron Davis and Lucia McBath, take the stage. Mr. Davis finished his loving speech in honor of his son by chanting one of the most important lines of our time “Black Lives Matter!”

    Especially noteworthy was the heavy presence of U.S. Latino and Latin American filmmakers as well as Latino-themed films among those who received awards. Miami-based director Kyle Patrick Alvarez received the Alfred P. Sloan Award for his latest feature The Stanford Prison Experiment, which explores the effects of Dr. Zimbardo’s infamous psychology study that simulated a prison. “I share this award with screenwriter Tim Talbott who’s been working on this script for over 10 years. One of our strong efforts with the film was to try to present the experiment as truthful and accurate as we could,” said Alvarez. The film also won the Waldo Salt Screenwriting Award, given to Tim Talbott. Alvarez accepted the award on his behalf and added, “If you’ve written something you believe in, and it’s there in a drawer, don’t let it go away. Keep on fighting, for good material will always rise up.”

    Ream more at Remezcla.com

  • The Hollywood Creative Forum

    Posted by on February 05, 2015

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    The Hollywood Creative Forum is a complimentary, invitation-only event targeted at diverse showrunners, producers, directors and writers to promote diversity behind the cameras. The program incorporates a full day of sessions and a “meet and greet” with cable network and production company executives and focuses on programming and creative content in the non-fiction and reality genres. The Forum includes some of the following features:

    • Continental Breakfast
    • Keynote Speaker
    • One-on-one “Meet and Greet” structured introductions with cable network and production company executives;
    • Professional skills-enhancement briefings which provide access to network executives;
    • Closing Panel featuring speakers from top network and production companies

    Show Runners, Producers, Directors and Writers of diverse backgrounds are encouraged to “apply” for the program at no cost until Friday, February 13, 2015.

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  • Apple wants to blow up cable TV

    Posted by · February 05, 2015

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    Apple is talking to TV programmers about offering their content directly over the web, according to Re/code's Peter Kafka.

    The talks, which seem to be in early stages, would let people with an Apple TV access certain channels buy purchasing access directly through Apple rather than a cable company or other provider. 

    Apple had been trying to work with cable providers, but its progress hit a wall when cable companies expressed apprehension about Apple's ambitions for the set-top box.

    Apple's plans for Apple TV may also have been pushed back when Comcast decided to buy Time Warner Cable.

    Now Apple is going directly to content producers instead of dealing with distributors.

    The iPhone maker wouldn't be the first company to offer web TV service.

    In January satellite TV company Dish announced it would offer "Sling TV," which would give users access to 10 channels for $20 a month.

    Apple, which added channels like ABC News last summer, could offer a similar service.

    In an interview with Charlie Rose last September, Apple CEO Tim Cook said TV was "stuck back in the 70s."

    "Think about all the things that have changed … and TV almost feels like you’re rewinding the clock, the interface is terrible," said Cook. "It’s awful.”

    Check this out at BusinessInsider.com

  • Sony’s Amy Pascal Stepping Down as Co-Chairman

    Posted by · February 05, 2015

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    Senior Film and Media Reporter @ Variety

     

    Amy Pascal is stepping down as co-chairman of Sony Pictures Entertainment and chairman of its motion picture group.

    She will remain at the studio as part of a new producing deal.  Pascal will stay in place through May, at which point she will take the reins at her new venture.

    No decision has been made on her replacement, according to an individual with knowledge of the situation, but there is a deep bench on the Sony lot. Among her possible replacements from within the Sony ranks are former Fox studio chief Tom Rothman, who now runs TriStar Pictures, Sony Pictures Entertainment Motion Picture Group President Doug Belgrad and Columbia Pictures Production President Michael De Luca.

    Pascal’s contract expires in March. She is one of the longest-serving Hollywood studio chiefs and has been praised for her role in shepherding a number of commercial and critical hits such as “Spider-Man,” “The Social Network,” “Zero Dark Thirty” and “21 Jump Street” to the bigscreen.

    The end of her tenure has been rocky, however, as Pascal’s departure comes after a devastating hack of her emails left her vulnerable and compromised her relationships with top talent. Pascal has been forced to apologize to A-list actors, producers and stars after her unvarnished thoughts on projects involving the likes of Angelina Jolie, Leonardo DiCaprio and Bradley Cooper were made public.

    A series of racially insensitive remarks she made with producer Scott Rudin about President Barack Obama’s favorite movies — the two joked that the president was a fan of “The Butler,” “12 Years a Slave” and other films about African-American topics — led to meetings with civil rights leaders such as Al Sharpton and Jesse Jackson, along with vows to make amends. Pascal, a liberal voice on issues such as same sex marriage and a vocal supporter of Obama,insisted that the remarks do not reflect her true beliefs or character, but her remarks drew stinging rebukes from the likes of Shonda Rhimes and Ava DuVernay.

    The hack was launched by North Korea in retaliation for “The Interview,” a lewd comedy that centered on an assassination attempt on the country’s leader, Kim Jong-un.

    Sony is providing the funding for Pascal’s production company and will retain worldwide rights to the films she makes. It will be based on the Sony lot and the commitment is for four years.

    “I have spent almost my entire professional life at Sony Pictures and I am energized to be starting this new chapter based at the company I call home,” said Pascal in a statement.  “I have always wanted to be a producer.”

    Pascal had already been concerned that the ax might fall on her head prior to the the Sony hack. Although Sony has fielded hits such as “22 Jump Street” and “Captain Phillips,” the studio is still reeling from the months of layoffs enacted as a response to activist investor Daniel Loeb’s criticism of its management and its decision to greenlight flops such as “White House Down” and “After Earth.”

    Sony shares rose 2.85% to $26.68 after news broke of Pascal’s departure.

    Check this out at Variety.com