IN THE NEWS
Understanding the media industry business model can reveal the course of action to open doors for minorities. Learn how executives are attempting to boost diversity.
Pride month is the moment to celebrate the progress made towards LGBTQ+ equality in film and television. Simultaneosly, we reflect on the struggles of a community that historically has faced discrimination and prejudice. Especially the BIPOC in the Latinx community as they navigate through intersectionality, which aggravates the homophobia and transphobia they endure. NALIP is determined to reinforce accurate media representation and uplift the voices of LGBTQ+ creatives across the media landscape.
The 2020 AAFCA Special Achievement Awards Luncheon will be held on Saturday, April 11, 2020 in the Crystal Ballroom at the Riviera Country Club in Pacific Palisades.
The issue of on-screen Latinx underrepresentation is, at this point, nothing new. Study after study — not to mention controversy after controversy — reminds us that Latinos are prized as audiences but not given the requisite opportunities to thrive in the entertainment industry. On July 2019, The Black List — the annual survey of Hollywood executives’ favorite unproduced screenplays that has since also become an online hub for aspiring screenwriters everywhere — partnered with The Latin Tracking Board, Mijente, NALIP, The Nathan Cummings Foundation, Remezcla and UnidosUS to create the very first Latinx List for feature screenplays. That list ended up including recent Sundance film Blast Beat as well as three projects from up and coming Latina screenwriters.
Image courtesy of CSR Wire
This past weekend, nearly 200 high school students spent the day on Warner Bros.’ Burbank lot immersed in the company’s first-ever WB Studio Day. The gathering was an opportunity for those participating in the WB First Cut program and interested in production careers to engage more deeply with the studio and gain insight into various career pathways the entertainment industry has to offer. Through a partnership with the Los Angeles Unified School District and nonprofit Ghetto Film School (GFS), WB First Cut provides filmmaking curriculum, skills and expanded industry opportunities to high school students. Now in its third season, the program first launched in 2018.
The Black List is partnering with The Latin Tracking Board, NALIP, Remezcla and The Untitled Latinx Project for the inaugural Latinx TV List. Interested writers and creators who are interested can submit to blcklst.com between now and March 18.
Image Courtesy of LA Times
If Antonio Banderas wins the Academy Award on Sunday for his leading performance in the Pedro Almodóvar film “Pain and Glory,” would it count as a win for people of color?
Last year Dr. Stacy L. Smith and the USC Annenberg Inclusion Initiative in partnership with the National Association of Latino Independent Producers (NALIP) and Wise Entertainment released a report shining a light on the lack of Latinx representation in Hollywood. They found that only three percent of movies featured Latinx actors in lead roles from 2007 through 2018 in the 100 top-grossing films and J.Lo was the only Latinx actress over 45 to star in a film in the last 12 years.
Image courtesy of Vulture
Marvin Lemus and Linda Yvette Chávez had never sold a TV script or even set foot in a writers’ room when they visited network after network three years ago, speaking in Spanglish about brown love, familia, and the show of their dreams. Ten times, in front of some of the industry’s biggest players, they pitched their dramedy, Gentefied.