Ricardo Montalban Dies at 88
By Lorenza Muñoz, Los Angeles Times
Ricardo Montalban, the suave leading man who was one of the first Mexican-born actors to make it big in Hollywood and who was best known for his role as Mr. Roarke on TV's "Fantasy Island," has died. He was 88.
Montalban died Wednesday morning at his Los Angeles home of complications related to old age, said his son-in-law, Gilbert Smith.
Within the entertainment industry, Montalban was widely respected for his efforts to create opportunities for Latinos, although he and others believed that his activism hurt his career. In 1970, he founded the nonprofit Nosotros Foundation to improve the image and increase employment of Latinos in Hollywood. [Montalban was a NALIP Lifetime Achievement in Advocacy Award winner in 2002.]
"He paved the way for being outspoken about the images and roles that Latinos were playing in movies," said Luis Reyes, co-author of "Hispanics in Hollywood" (2000).
On Wednesday, actor Edward James Olmos called Montalban "one of the true giants of arts and culture."
"He was a stellar artist and a consummate person and performer with a tremendous understanding of culture . . . and the ability to express it in his work," Olmos told The Times.
Montalban was already a star of Mexican movies in the 1940s when MGM cast him as a bullfighter opposite Esther Williams in "Fiesta" and put him under contract. He would go on to appear alongside such movie greats as Clark Gable and Lana Turner.
When major film roles dried up for him in the 1970s, he turned to stage and eventually TV, where he was familiar to millions as the mysterious host whose signature line, “Welcome to Fantasy Island,” opened the hit ABC show that aired from 1978 to 1984.
While "Fantasy Island" was renewing Montalban's career and giving him financial stability, he also won an Emmy for his performance as Chief Satangkai in the 1978 ABC miniseries "How the West Was Won."
In the 1970s and '80s, Montalban was also familiar to TV viewers as a commercial spokesman for Chrysler. He was later widely spoofed for his silky allusion to the “soft Corinthian leather” of the Chrysler Cordoba, although no such leather existed.
While making "Fantasy Island," Montalban also gave one of his best movie performances -- as Khan Noonien Singh in the “Star Trek II: The Wrath of Khan” (1982), a follow-up to a beloved 1967 “Star Trek” television episode that also featured Montalban.
New Yorker magazine critic Pauline Kael said Montalban's performance as Khan "was the only validation he has ever had of his power to command the big screen."
Born Nov. 25, 1920, in Mexico City, Montalban was the youngest of four children of Castilian Spaniards who had immigrated in 1906 to the city, where Montalban's father owned a dry goods store.
Montalban came to Los Angeles as a teenager with his oldest brother, Carlos, who had lived in the city and worked for the studios.
"I felt as if I knew California already, because of the movies," Montalban said in "Reflections: A Life in Two Worlds," the 1980 autobiography he wrote with Bob Thomas.
Montalban studied English at Fairfax High School, where an MGM talent scout noticed him in a student play. He was offered a screen test, but his brother advised him against taking it and took him on a business trip to New York City.
The handsome Montalban soon found himself the star of a short film that was made to play on a screen atop a jukebox. That three-minute movie, which debuted at the Hurricane Bar in midtown Manhattan, led to small roles in plays.
When his mother's illness took him back to Mexico, Montalban got a one-line role in a parody of "The Three Musketeers," starring Cantinflas. Around that time, he also met Georgiana Belzer, a model and Loretta Young's sister, whom he married in 1944. She died in 2007.
Montalban intended to stay in Mexico, where his film career was taking off, but MGM wanted him for "Fiesta." In the 1947 musical, he had a memorable dance scene with a young Cyd Charisse.
"Fiesta" led to a contract at MGM, where he had a friendly rivalry with Fernando Lamas -- later Williams' husband off-screen -- as the studio's resident "Latin lovers." Bill Murray immortalized the duel between the two men with his classic "Saturday Night Live" skit, "Quien es mas macho, Fernando Lamas o Ricardo Montalban?"
Montalban appeared as the Latin lover with Williams in two other late-1940s films, "On an Island With You" and "Neptune's Daughter." The blatant typecasting continued in the 1953 film "Latin Lovers" with Turner.
"He was incredibly handsome, he gave a style and dignity to all of his roles -- no matter what role he played," said author Reyes.
Director John Sturges gave Montalban the leading role of Lt. Peter Morales in "Mystery Street" in 1950 and, that same year, a starring role with June Allyson and Dick Powell in "Right Cross."
But, as Montalban wrote in his autobiography, he was never cast in the dramatic role at MGM that would have made him a major movie star.
"He appeared to have everything else -- a marvelous camera face, the physique of a trained dancer, talent, a fine voice (he could even sing), warmth and great charm," Kael wrote. "Maybe the charm was a drawback -- it may have made him seem too likable."
While making the 1951 Gable western "Across the Wide Missouri," Montalban fell from a horse and injured his spine. The injury caused him to walk with a limp, which he tried to mask during performances. In recent years, he had been confined to a wheelchair.
After MGM dropped him in 1953, Montalban went on the road with Agnes Moorehead and others in George Bernard Shaw's "Don Juan in Hell," which was revived 20 years later on Broadway with him in the lead. In 1955, he appeared on Broadway in the short-lived "Seventh Heaven" and in the late 1950s starred with Lena Horne in "Jamaica" and earned a Tony nomination.
He played a Kabuki theater actor in the 1957 movie "Sayonara" and co-starred with Debbie Reynolds in the 1966 film "The Singing Nun." Decades later, he played the evil tycoon in the 1988 comedy hit "Naked Gun: From the Files of Police Squad!" and had a prominent role as the grandfather in "Spy Kids 3-D: Game Over" (2003).
Later TV appearances included the "Dynasty" spinoff "The Colbys" in the 1980s, and he voiced Señor Senior Sr. on the Disney Channel's animated series "Kim Possible," which debuted in 2002.
But "Fantasy Island" created his lasting image.
Elegantly attired in a white suit and black tie, Montalban fashioned such an iconic -- albeit somewhat kitschy -- figure that he often reprised the character in subsequent films and television shows.
The show's executive producer, Aaron Spelling, told TV Guide in 1980 that Montalban gave Mr. Roarke the "otherworldly quality we needed." Many credited the repartee between Mr. Roarke and the character of Tattoo, played by 3-foot-11-inch Herve Villechaize, for pulling in viewers. Villechaize died in 1993.
Montalban said in TV Guide that his character "manipulates everything and everyone. In the eye of the fantasizer, Roarke has the power of life and death."
Spelling's widow, Candy, said Wednesday in a statement: "Aaron was always humbled by Ricardo's gratitude for 'Fantasy Island.' "
Although Montalban expressed appreciation for his success, he complained that Hollywood lacked respect for Mexican American actors. He said that while under contract at MGM, he portrayed Cubans, Brazilians and Argentines, but almost never Mexicans.
"Mexican is not a nice-sounding word and Hollywood is at fault for this because we have been portrayed in this ungodly manner," he said. He challenged Hollywood to stop stereotyping Latin actors by casting them only as prostitutes, maids, gang-bangers and bandidos.
Through Nosotros -- "we" in Spanish -- Montalban attempted to highlight and recognize Latino participation in the arts and entertainment. In 1970, the foundation created the Golden Eagle Awards, which annually honors Latino stars, shows and movies.
From 1965 to 1970, Montalban served as vice president of the Screen Actors Guild.
After the Ricardo Montalban Foundation was formed in 1999, the organization purchased the former Doolittle Theatre near Hollywood and Vine to stage Latino productions and named the theater after Montalban.
Judd Bernard, who was Montalban's publicist in the mid-1950s, told The Times that the actor "was the kindest man, with a lovely sense of humor, a religious man, a marvelous family man."
The deeply spiritual Montalban once said that the guiding force in his life was his Catholic faith. In 1998, Pope John Paul II made him a Knight Commander of St. Gregory, the highest honor bestowed upon non-clergy in the Roman Catholic Church.
Montalban is survived by two daughters, Laura Montalban and Anita Smith; two sons, Mark Montalban and Victor Montalban; and six grandchildren.
Services will be private.
Muñoz is a former Times staff writer. Times staff writer Valerie J. Nelson contributed to this report.
INDUSTRY INSIGHTS: Brand Integration for Filmmakers
This is part a series of articles that we will be offering our readers in the new year. We are eager to know what you think! Click on Talk Back to discuss with other NALIPsters.
Carole Dean asked Adam Erlebacher at PlaceVine.com, an organization that is free to filmmakers, to explain his benefits to filmmakers.
What is brand integration and how can filmmakers benefit?
PlaceVine.com is a web-based service that connects content producers to marketers and agencies seeking brand integration deals such as product placement and sponsorship.
Brand integration offers content creators many ways to partner with marketers - it is not just about product placement. Sponsorship, which can take the form of sponsoring a premiere, title sponsorship, or sponsoring promotional activities such as screenings, parties, advertising, and tie-ins, is actually far larger in dollar terms than product placement. Sponsorship accounted for about $19.2 billion in spending in 2007 vs. about $7.3 billion for placements. This provides many opportunities for filmmakers to partner with brands without physically placing products into the content. It's important to realize that brands already have an audience - their customers. Don't just think about how a brand can help provide production relief or budget. Consider how you can leverage the brand's access to its customers - your target audience - to promote your film.
Sony to Release Torresblanco and Cuaron's Rudo Y Cursi
by Brian Brooks, indieWIRE
Sony Classics confirmed its North American rights acquisition of Carlos Cuaron’s “Rudo Y Cursi,” which will have its U.S. premiere at the 2009 Sundance Film Festival. The film stars Gael Garcia Bernal and Diego Luna, who last starred together in Cuaron’s “Y Tu Mama Tambien.” In its three weeks in theaters in Mexico, the film is already one of the top five grossing films of all time.
Additionally, the film’s soundtrack has reached number one on the charts, including a solo by Bernal singing a “norteno” cover of Cheap Trick’s “I Want You to Want Me.” “Rudo Y Cursi” is also receiving box office success in Argentina where it’s already in theaters.
In the film, Tato (Bernal) and Beto (Luna) play two brothers living a hard life of manual labor in rural Mexico. They have a simple dream of saving enough money to build their mother her dream house, but fate has other plans. A friendly game of soccer leads to first one, then the other being taken on by the nation’s top talent scout, Batuta, resulting in sibling rivalry. Suddenly, both are thrust into living the high life of star athletes.
Meanwhile, the two are forced to compete on rival teams, and bitterness brews between them. Mutual trust gives way to resentment and betrayal, while the dangers of their wild new lifestyles threaten debt and the safety of their entire family. The tension grows further as their two teams face each other in an important game. They face each other on the pitch but also reunite again as brothers before they lose everything they had once dreamed of.
“Carlos’ directorial debut confirms him as a talented narrator who’s able to hide deep themes within the joy and pain of laughter,” commented producers Alfonso Cuaron, Alejandro Gonzalez Inarritu and Guillermo del Toro in a joint statement.
“We’re thrilled to be in business with the talented group of individuals on both sides of the camera on ‘Rudo Y Cursi’ director Carlos Cuaron, producers Alfonso, Guillermo and Alejandro as well as Gael Garcia Bernal and Diego Luna,” added SPC in a joint statement.
Deadline Tomorrow: TFI Sloan Filmmaker Fund
The TFI Sloan Filmmaker Fund is seeking applications from directors, screenwriters and producers with exceptional narrative projects of all genres (except science fiction or fantasy) with scientifically accurate themes or characters. This year, the Fund will provide up to $170,000 in development, finishing and distribution funds in support of innovative and compelling filmmaking that explores scientific, mathematical, and technological themes and storylines, or a leading character who is a scientist, engineer, innovator or mathematician. Selected projects from US and international directors, screenwriters and producers will be highlighted at the Tribeca Film Festival in May 2009.
Apply by January 16, 2009 at http://www.tribecafilminstitute.org/sloan
Call for Entries: The Roy W. Dean Film & Video Grants
The Roy W. Dean Film & Video Grants are available to shorts, documentaries and features with budgets under $500k.
Your film can be either:
* An idea with strong proposals/outlines, and connections to the subjects
* A work-in-progress
* Shot and almost in post
* Anywhere in-between
We are looking for films that meet any of the following criteria:
* Unique and make a contribution to society
* Compelling stories about little known subjects
* Historical films
* Films that touch the heart
* Films that expose and bring information to light
* Stories that can change things for the better, and fulfill and enrich our lives
* Length is NOT a consideration
* Most importantly, your film must tell a good story!
There are grants available in Los Angeles and New York – The list of awards is different for the LA Film Grant and the LA Video Grant. You can apply for either or both, and you do not need to be shooting film to apply for the film grant (i.e., you can be shooting digital).
All grants are for goods and services only, not for cash.
To see details, and a list of goods and services fo r each grant:
Los Angeles Film Grant - www.fromtheheartproductions.com/grant-lafilm.shtml
Los Angeles Video Grant - www.fromtheheartproductions.com/grant-lavideo.shtml
LA Fortitude Editing Grant - www.fromtheheartproductions.com/grant-editing.shtml
New York Video Grant - www.fromtheheartproductions.com/grant-ny.shtml
Who is eligible to apply:
This grant is now available for shorts and low budget independents as well as documentary filmmakers. We have expanded to further our goals of creating films that are "unique and make a contribution to society" - student filmmakers, independent producers, or independent production companies are all welcome!
Who is not eligible to apply:
You cannot apply if you are an employee of From the Heart Productions, an employee of any of the sponsors, or a family member of any employee of From the Heart Productions or any of the sponsors. Sorry.
Where you live is not important:
You may enter the New York City or Los Angeles grants no matter where you live. You can enter both grants; in fact, we want you to. It shows us that you are tenacious and want to find funding.
In your application we would like to know the following:
* State which audiences will be interested in your film? Please describe the target audience(s) for your project, including any underserved audiences.
* How do you plan to reach these audience(s)? Describe your plans for broadcast, theatrical screenings, educational and/or community group.
Commonly Asked Questions for the Grants
Q. I live in Detroit, Michigan - can I enter the New York Grant?
A. Yes, you can enter the grant and live anywhere. We have had people in LA win the NYC grant and people in other states win the LA grant. Just know you have to shoot or do post in that city to be able to benefit from all the goods and services you win. Your production does not have to be entirely in that city – only enough to make use of whatever goods and services you will be utilizing.
Q. I live in Canada, can I enter the Grant?
A. Yes, you can live anywhere in the world and enter any of our grants. You should be filming in the city you receive the award in to use the goods and services. If you live in Toronto and have a film that takes you to LA or NYC this would work well for you.
Q. Can I enter the LA Film Grant if I am shooting in digital?
A. Yes, you will not use the Camera from Otto Nemenz but you could use the money from Edgewise to buy tape or anything you want for your shoot. Actually, the number of entries in the film grant is lower than video and you may have a better chance in this category.
Q. Is the deadline a postmark or must you have it by the deadline?
A. All of our deadlines are a postmark. Don't spend your money on FEDEX, just mail it.
Q. How long does it take you to decide on the finalists?
A. We usually have finalists up on the web site in 6 weeks.
Q. How long does it take you to select the winner?
A. Our goal is to have the winner chosen in less than 90 days.
Q. When can the winner and the finalists begin to use the awards?
A. Once you win, we email all the donors. This opens the door for you. Next, we send donors a letter and email you the contact person and you can contact them directly.
FOR AN APPLICATION:
IF, after you read the website, you have any other questions, please email: CaroleDean@paradise.net.nz