Latinos In The Industry
 
December 20, 2011 ANNOUNCEMENTS    NEWS    JOBS & OPPORTUNITIES
 
 
Announcements
 

5 Major Trends That Changed Digital Entertainment in 2011

By Christina Warren, Mashable

As 2011 comes to a close, it's time to look back and reflect on some of the major events, changes and trends across various industries. Social and digital media are having a profound impact on how media entertainment content is created, consumed and distributed.

Music, television, movies and casual games are expanding, contracting and evolving at a dizzying pace. Here are some of the highlights.

1. Social TV and the iPad Transform the Boob Tube

Like other parts of the entertainment industry, social and digital are changing the way television is made, watched and broadcast.

In 2011, social TV really started to come into its own. From the rise of entertainment checkin services like GetGlue and Miso, to integrated social and digital campaigns from networks and stars, social sites like Twitter and Facebook have become the real-time watercooler for discussing and disseminating content.

The result is that even though television ownership is on the decline, live television ratings are actually on the rise. It's becoming increasingly important for viewers to watch a program as it happens, in order to interact with each other in real-time.

The concept of social TV wouldn't work if the network and content creators weren't on board. One of the biggest surprises of 2011 has been the extent to which networks and studios have embraced social TV, particularly using second screen apps. We can thank the iPad for that. The iPad and its success proved to leery network executives that engaging with viewers on multiple platforms was a necessity.

Moving into 2012, social TV campaigns will evolve and become more mature. It's our hope that we can move to the next level, where social interaction becomes part of the show content itself.

2. Spotify and Subscription Streaming Disrupt Music Industry

Digital continues to transform the music industry.

Spotify, long the darling of the European music press, finally arrived in America to much fanfare. Competing against US-based rivals like Rdio, Rhapsody and MOG, Spotify has armed itself with a known brand name and strong Facebook integration.

This has re-opened the debate over whether music is owned or rented and how artists and labels are compensated for their works. It's a complex problem and one that wasn't decided in 2011 and likely won't be settled in 2012.

Artists continue to use social networks, including Facebook and YouTube, to promote their music and their albums. Meanwhile, we've seen the rise of music shared experiences services, like Turntable.fm.

Artists and end-users are also flocking to services like SoundCloud for storing, remixing and distributing all types of audio.

Moving into 2012, the battle in the music subscription space will continue, and we expect to see the market converge and contract. The real opportunity is with social and bringing back the experience of listening to a playlist or album with a group of friends.

3. Movie Marketing is Socialized

It's been a rough year at the box office, with receipts way down and few breakout hits. Marketing efforts are rapidly becoming social, as studios realize that reaching out to influencers online can yield a much bigger return on investment.

From blockbuster franchises like Harry Potter to lower-budget art films, social and digital are increasingly becoming tentpole parts of the promotional process. Directors, actors and producers are active on Twitter and Facebook. YouTube is increasingly used as a way to show previews and surprises.

The Muppets is one of the most socially savvy media campaigns we've ever seen, and the films success at the box office is a testament to this kind of marketing.

Meanwhile, startups like MoviePilot are dedicated to reaching the most avid and influential movie watchers, using Facebook and news content from around the web.

Moving into 2012, theater chains and studios are going to be using digital and social to lure audiences back into the theater -- using 3D, motion capture and (we hope) quality storylines as a draw.

4. Casual Gaming Gets Serious

Although traditional console and PC gaming is still generating tons of revenue, there is a lot of momentum in the social and casual gaming space.

The continued success of Angry Birds, not just as a game but as a veritable franchise, proves that $50 million budgets and two and a half year production times are not required to create a gaming sensation.

Not even the PlayStation Network disaster could keep users from engaging in online play, whether it was through a PS3, Xbox 360, Wii or increasingly -- an iPhone, iPad or Android device.

With Zynga's upcoming IPO and its multi-billion dollar valuation, casual gaming is no longer a joke. It's real and it's going to be part of the future.

To wit, big studios are acquiring or creating smaller units dedicated to building smaller, iterative titles that can be updated more regularly and have smaller budgets.

Meanwhile, the graphical capabilities of portable and mobile devices continues to improve. A game like Infinity Blade 2 shows that we're only scratching the surface and power of the handheld computers we carry with us 24 hours a day.

Moving into 2012, we expect that social and casual gaming will continue gain traction. As a public company, Zynga will need to prove itself. Is it the next EA or is it the next Acclaim.

5. Netflix Implodes: The Battle Over Content, Consumption and Ownership Continues

A central issue within the entertainment industry in 2011 was the battle over content ownership and distribution.

A year ago, it looked like Netflix would ultimately win the content wars, TV Everywhere was a pipe dream and that power would shift from the content owners to the distributors, like Netflix or Amazon.

A year later, the situation is utterly different. Rather than winning the content wars, Netflix faces increased competition from Hulu, Amazon and soon, YouTube.

Moreover, Netflix's public meltdown over the summer proved just how valuable licensing content for streaming over the Internet can be. Content owners and rights holders want their piece of the pie and want more to get content online.

This has given TV Everywhere a real chance to succeed. HBO Go, the tremendously successful HBO initiative at offering cable subscribers access to content online, on mobile devices and supported set-top boxes, has shown that customers are willing to go through the hassle of logging in with a cable company ID. With more than 5 million downloads and 98 million streams in just six months, it's the best case for TV Everywhere's potential yet.

As content owners weigh the pros and cons of what to license, when to license and who to license content to, customers are the ones stuck in the middle.

The fantasy of first-run content on Netflix is little more than a pipe dream (Arrested Development not withstanding), but content is coming online, even if pure over-the-top plays are still financially unrealistic.

Battle over content and who gets it -- in music, film and television will continue to be a big trend in 2012. Even on the casual gaming side, what platforms or networks support a property will continue to be an issue that game makers and game players face.


Call for Films: Center for Mexican American Studies & Research Conference

The Center for Mexican American Studies and Research (CMASR) seeks original or previously-screened short films - ranging from 10-45 minutes - for its 9th Annual Conference. The film festival will be held on March 22, 2012 on the campus of Our Lady of the Lake University, San Antonio, Texas.

The film festival aims to enhance awareness and exposure to the experiences of both the Mexican American community and/or Mexican American filmmaker to independent cinema, media, and the motion picture industry.

Present your short film to an eager audience. Submission of all types of film, both narrative and documentary, is encouraged. Both professional and student films are welcomed and will not directly compete with one another. If accepted, you will be invited to discuss your film.

Finally, there will be a prize competition for 1) Best film overall and 2) Best student film.

Deadline to apply: February 24, 2012

DETAILS FOR SUBMISSION:
* Film Submission Fee is required.
- $0=High School & OLLU students; $10=non-OLLU College Students; $20=Non-students
- (Make checks payable to CMASR Conference and Mail to address below)
CMASR
Our Lady of the Lake University, Moye 110
411 SW 24th Street
San Antonio, TX 78207

* BY FEBRUARY 24th: Submit an application: To submit, you can either:
1) Submit online here
2) Create and email a Word/PDF document to RenelindaArana@ollusa.edu
A. Biography of filmmaker(s) (maximum 100 words)
B. Contact information: Email, phone, mailing address
C. Length of Film
D. Title (maximum 50 words)
E. Synopsis or overview of film (between 250 words and 500 words)

* Media: Submit 3 copies of your film via DVD, VHS or website. These copies will not be returned.

* The deadline to submit your entry is February 24, 2012.

FOR QUESTIONS OR SUBMISSION, PLEASE CONTACT:
* Dr. Renelinda Arana at RenelindaArana@ollusa.edu or 210-434-6711 #8151
* Address for Film Submission:
Our Lady of the Lake University, Moye Hall 208
411 SW 24th Street
San Antonio, TX 78207


Call for Applications: Reel Aging: Real Change

Attention media makers addressing aging and elder rights! Working Films, with support from the John D. and Catherine T. MacArthur Foundation, announces Reel Aging: Real Change, an initiative that will tie compelling documentary films and transmedia projects that explore aging to ongoing policy work and grassroots campaigns supporting older populations globally.

Reel Aging: Real Change will begin on March 23, 2012 with a four-day residency where eight to ten media teams will sharpen their strategies for audience and community engagement. On Tuesday, March 27, the teams will present their projects to regional, national and global NGOs, funders, government agencies, activists, and policy makers - all leaders in the field of aging who have a track record of supporting elder rights, respect and health. The goal: to embed the film and media projects into on-the-ground efforts by the advocates in the room. Hosted in Washington, DC in collaboration with American University's Center for Social Media, this day-long, strategic convening will launch a collaborative campaign between the participating media makers and the NGOs.

We are seeking applications from media makers for participation in Reel Aging: Real Change. All nonfiction projects that explore the aging experience are eligible to apply, and applicants may be at any stage of production or distribution, from new and completed projects to works-in-progress.

Application Deadline: January 6, 2012
Submission: Please complete application form online at www.workingfilms.org/reelaging

Registration Fee: NONE. The residency includes lodging, meals, and materials. Participants are responsible for covering their own travel; stipends are available.


Industry Registration Now Open for Miami Int. Film Festival

Accreditation for the 29th Miami International Film Festival (March 2-11, 2012) an event produced and presented by Miami Dade College is now open. Early bird pricing began Monday December 19, 2011 and ends at midnight EST on Friday, February 3, 2012.

Accreditation gives the following benefits: Access to a maximum of 3 public screenings per festival day (excluding Opening/Awards/Closing); Access to all MASTERCLASS Seminars; Nightly Happy Hours and networking opportunities; Access to Industry/Filmmaker invite only events; Access to Digital viewing library (including Ibero-American On-line Market); Industry Guide Listing, Rights List, MIFF Publications.

The deadline for Industry Registration is February 17, 2012.
Visit the Industry Accreditation webpage to commence your application.

During its 28 years, the Miami International Film Festival (MIFF) has grown to be a premiere venue for the exhibition of U.S. and international films, showcasing films and filmmakers that have gained world-wide attention. More than 70,000 people attended the Festival in 2011 and more than 300 filmmakers, producers, directors, writers, actors, and industry representatives from around the world. The portal to the United States for Ibero-American film, the Miami international Film Festival is ideally placed to nurture a healthy, focused marketplace for original Latin content (this includes any film shot or financed in South America, Central America, or Portugal OR Spanish/Portuguese-language film shot or financed in the U.S.).

Should you require any further assistance, please contact Carol Coombes, Program and Industry Initiatives Associate Manager industry@miamifilmfestival.com

 
 
News
  'Margin Call' Changes VOD Picture
(Variety) - "Margin Call" takes a harsh look at Wall Street economics, but in the smaller world of independent film, returns have been bullish. In eight weeks of release, the Kevin Spacey-Zachary Quinto drama has become one of the biggest day-and-date video-on-demand releases yet, seeing VOD revenues of well over $4 million while the pic was playing in hundreds of theaters. FULL STORY

HBO Cancels 'Hung,' 'Bored to Death,' 'How to Make It In America'
(The Hollywood Reporter) - HBO has renewed critical darling Enlightened for a second season, while opting not to move forward with three series: Hung, Bored to Death and How to Make It In America. FULL STORY

 
 
Jobs & Opportunities
 

Visit the NALIP Job Opportunities page for all the latest listings.

Project Coordinator, Latino Americans, at WETA (Arlington, VA)
WETA's National Productions team is looking for an energetic individual to provide general administrative and research support for the exciting Latino Americans documentary project. FULL JOB DESCRIPTION

 
 
From the Editor
 
Editor
Alex Mendoza
Alex Mendoza & Associates
AMARTE Design & Digital Printing
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alexmend@aol.com


Co-Editor
NALIP
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Santa Monica, CA 90401
310-395-8880
membership@nalip.info
 
 
Spotlight
 

San Diego Latino Film Festival Poster Competition Finalists

Media Arts Center San Diego is proud to announce that the finalists of the 2012 San Diego Latino Film Festival poster competition are now up for the public to view and leave comments. To view the finalists, click here.

Over 80 works were entered in our 3rd annual SDLFF Poster Competition! Additionally, the festival received entries from all over the world, including such far away places as South Korea, Canada, England, and Argentina, as well as many local entries.

The festival wants to thank all the talented artists who participated in the San Diego Latino Film Festival Poster Competition, and looks forward to seeing which poster their jury chooses! The winner will be announced January 6th, 2012.



 
 
 

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