March 2006
Dear NALIP members, funders and supporters:
As you may have heard by now, NALIP just wrapped one of the most successful conferences in its history. As you may have also heard, NALIP recently held elections and three different board members now hold the positions of chair, vice-chair, and treasurer. It is, of course, my duty to introduce the new board members in this, my last letter to you as chair. But just before doing so, I would like to briefly reflect on my three years as the organization’s longest-running chair.
There are many ways through which I could convey the leap that we have made during this period. I could say: Amazing. Stunning. Enormous. But I'll just mention a few handy numbers that will serve just as well.
In 2003, NALIP offered only one program: the conference. Three years later, NALIP offers six programs, namely the National Conference, the Latino Writers Lab™, the Latino Producers Academy™, the Latino Media Market™, the Latino Media Resource Guide™, as well as on-going workshops throughout the country.
In 2003, our budget was $350,000. In 2006, it is closer to a million.
In 2003, our total membership was 250. In 2006, it is over a 1,000.
In 2003, NALIP had two chapters, New York and Miami . Today, there are a total of 14 chapters and chapters-in-formation, located in Albuquerque , Austin , Boston , Chicago , Los Angeles , New Mexico , Orlando , Philadelphia , Phoenix , Puerto Rico , San Antonio , San Francisco , Toronto , and Tucson .
I confess that in writing this letter, I only came across one depressing statistic: In 2003, I was 37. In 2006, well, you do the math.
Regardless of this last detail, the next chair will lead an organization that is experiencing phenomenal growth and that has the power to produce deep and long-lasting change. Which brings me to a second point: the overlooked tradition of female leadership at NALIP.
We sometimes make a big deal of my being NALIP’s longest running chair. And that's because it requires both the ability and disposition toward heavy lifting: of obstacles, of conflicts, of spirits. We can attribute a small part of this stamina to my vigorous weight lifting and jogging routine. Most of it, however, has to do with the fact that I have been lucky enough to build on the strength of the prior chairs Lillian Jiménez and Cynthia López, and NALIP's Executive Director Kathryn Galán, all formidable women who laid the foundation for anyone in my position to be able to thrive.
That NALIP's chair has always been a Puerto Rican woman, however, raises some puzzling questions. Is this the case because Puerto Ricans are such exceptional leaders? Or because it's such a thankless job that only a mildly obsessive boricua woman would consider doing it? Or does it have more to do with the fact that this post is so tough that not even a Latin boy can manage?
Think about it.
And while you're thinking about it, I would like to say a few things about the new chair. For although she hardly needs an introduction for those close to NALIP, I will do my best do provide one.
The new chair is a pioneering filmmaker from New York . Her first documentary, THE HEARD OF LOISAIDA (1979) was the first independent film to be directed by a Puerto Rican woman in the United States . Since her directing debut, she has served as an executive in several organizations, including the Association of Independent Video and Filmmakers (AIVF) based in New York . She is also a NALIP founding board member, a former NALIP coordinator and conference co-chair, a friend and a mentor to me for nearly two decades.
Without further delay, allow me then to announce the election of Beni Matias as NALIP's new chair, as well as Edwin Pagan as vice-chair, and Vangie Griego as treasurer. I leave you in good hands.
On my end, I will continue to work as part of the board’s executive committee and look forward to three more years of growth and opportunity for our members. Thank you for the privilege of serving.
Warmly,
Frances Negron-Muntaner,
Chair Emeritus
NALIP Board of Directors
IDA 2006 CALL FOR ENTRIES-- David L.Wolper Student Documentary Awards
Entries are invited for the IDA/David L. Wolper Student Documentary Achievement Award, sponsored by the International Documentary Association. One of the most prestigious student awards, this $1,000 cash prize is presented annually to recognize exceptional achievement in non-fiction film and video production at the university level. The winner also receives a complimentary IDA membership for one year. The Eastman Kodak Company further enhances this recognition with a cerficate worth $1000 toward the purchase of Kodak motion picture film.
Submission must be postmarked by June 9, 2006
Click the image to begin the submission process for the paperless method via Withoutabox.com
Click Here for IDA/Wolper Student Award Entry Form
CALL FOR ENTRIES
Palm Springs International Festival of Short Films and Film Market, August 24-30, 2006
Regular Deadline : May 12, 2006
the country's largest festival of short films presents more than 300 shorts from over 35 countries, with over 2,200 short films featured in our adjacent Film Market Place . An AMPAS recognized Festival, 49 Palm Springs Short Fest participants have gone on to win OSCAR* nominations in the Festival's 11-year run. Over $60,000 in cash, film stock and production services are awarded.
For more info/entry form please visit:http://www.psfilmfest.org
HOLLYWOOD NETWORKING BREAKFAST®
APRIL 27, 2006
ACADEMY AWARD WINNER, BOBBY MORESCO-CRASH, MILLION DOLLAR BABY
Will be the guest speaker at the next monthly Hollywood Networking Breakfast®, the event will be held on Thursday, April 27, 2006 at the Wyndham Bel Age Hotel, 1020 N. San Vicente, in West Hollywood , from 8AM - 10:30AM. Check-in starts at 7:20 AM .
BOBBY MORESCO , along with his writing/producing partner, PAUL HAGGIS, has taken Hollywood by storm with their multi-award winning collaborations two years in a row. Bobby wrote and produced Crash, winner of the Best Picture and Best Screenplay awards at this year's Academy Awards, and developed Million Dollar Baby with Paul Haggis, and co-produced with Haggis, Clint Eastwood, Al Ruddy and Mark Harris. Million Dollar Baby won the 2005 Academy Award for Best Picture, Best Director, Best Actress, and Best Supporting Actor. He's currently in production on The Black Donnellys, a show he co-created and will executive produce for NBC as a mid-season replacement.
NOTE: Bobby would be happy to have a lucky breakfast attendee shadow him for a half a day, but only while he is in production. That means the lucky winner would have to travel to New York to shadow Bobby during one of the weeks that he is working on the set of his TV show. Prospective candidates should submit only if they can afford to do so. To find out how to submit to be considered for private time with Bobby, visit: www.changingimagesinamerica.org or http://hgenonline.com.
The Hollywood Networking Breakfast® was founded by Sandra Lord in 1993 and is produced by Lord in L.A. to benefit Changing Images in America , a non-profit organization dedicated to promoting diversity in American culture. The Breakfast provides access to top Hollywood players.
Pre-paid reservations (postmarked by April 20, 2006 ): $40 (full breakfast). Check reservations must be made payable to: Changing Images in America , P.O. Box 2688 , Hollywood , CA 90078 . Reservations cannot be rolled over to another month, but can be transferred to someone else for the date paid for only. For more information: Contact: Sandra Lord (323) 465-9800 or call (323) 465-9800 or visit www.changingimagesinamerica.org or http://hgenonline.com. SECURITY MEASURES: Due to heightened security, valid photo ID will be required to get into the breakfast.
VarietyCareers.com presents…
The Entertainment & Media Career Expo -- April 11th -- LA Convention Center
Mark your calendar today for this unique recruiting event - Tuesday, April 11, 2006 - 10:30am - 4:00pm - LA Convention Center. Meet with recruiters from event sponsors, The Walt Disney Company, Fox Entertainment Group and Paramount Pictures, and many other major employers in film, television, cable, radio, music, publishing and the Internet who will be promoting careers on the business side of the industry including accounting, engineering, finance, IT, legal, marketing, retail and sales. The face-to-face interviews with recruiters, educational seminars, and access to senior executives will make this an "industry happening" - and a must-attend event for any professional pursuing new career opportunities in the entertainment and media industry.
For the latest event info, please visit http://www.shomex.com/variety.
JOHN HUSTON LECTURE: DOCUMENTARIES OF DISSENT, PART II
Documentaries questioning the status quo have been an integral part of our culture for generations, giving film artists and audiences a means to express their particular, and sometimes contentious, points of view. Politics, civil rights, labor, punk rock, the Blacklist* these and other topical issues have found their way into movie houses and into the minds of viewers through documentaries, sometimes changing the very conditions the films were investigating. Theatrical documentaries have gained a newfound popularity, in many cases because of their willingness to challenge the status quo. " Documentaries of Dissent, Part II," a sequel to last year's historical overview, will spotlight some filmmakers that exemplify alternative voices in recent documentaries and examine the methods they employed to make their voices heard.
Hosted by KENNETH TURAN, film critic for the Los Angeles Times, panelists and film excerpts from their work will include: KIRBY DICK (Director of TWIST OF FAITH, Oscar Nominee for Best Documentary Feature (2004). KATHLEEN GLYNN (Producer of FAHRENHEIT 9/11 (2004) and BOWLING FOR COLUMBINE, Oscar winner for Best Documentary Feature (2002). ROBERT GREENWALD (Producer/Director of UNCOVERED: THE WHOLE TRUTH ABOUT THE IRAQ WAR (2003) and WAL-MART: THE HIGH COST OF LOW PRICE (2005). JEHANE NOUJAIM (Director/Cinematographer of CONTROL ROOM (2004) and STARTUP.COM (2001). MORGAN SPURLOCK (Producer/Director of SUPER SIZE ME, Oscar Nominee for Best Documentary Feature (2004).
The Academy's John Huston Lecture on Documentary Film is named to honor Huston's legacy as witnessed in his controversial World War II documentaries, REPORT FROM THE ALEUTIANS (1943), THE BATTLE OF SAN PIETRO (1944), and LET THERE BE LIGHT (1946). LET THERE BE LIGHT was banned for decades by the very agency which commissioned it, the U.S. War Department, and was finally released in 1980. THE BATTLE OF SAN PIETRO was not released publicly until 1945, when General George Marshall removed its "classified" status.
Tickets are $5.00 for the general public and $3 for students with valid I.D. and go on sale beginning Wednesday, March 1. Please see the ticket order coupon on the flyer Doors open at 6:30pm . For more information call 310-247-3000, ext. 111.
NOW PLAYING: EL PACHUCO
by NALIP Member Louie Olivos Jr.
Sunday’s Matinees: April 9th, 23rd, 30th 2006
Limited Seating
Box office opens ½ hour before show!
Play starts @ 2pm
Tickets: $20.00
Seniors, Students and NOSOTROS/NALIP members: $15.00
Capacity: 99 seat theater
For further information call (714) 534-5603
E-mail: lolivosjr@hotmail.com
Three Performances Only- The Rifles of Carrar!
Si desea recibir este mensaje en español, por favor contéstenos y déjenos saber Grupo de Teatro SINERGIA and Teatro FRIDA KAHLO Theatre present a Tahoguayna Production of
The Rifles of Carrar
The Rifles of Carrar tells the story of one woman’s struggle with her inner demons midst the Spanish dictatorship of Franco during the late 1930’s. With a past as a revolutionary, Señora Carrar thinks she can save her two sons, remain neutral, and survive, no matter what kind of political violence is gaining around her. As a wartime effort production, The Rifles of Carrar is a reminder of the times we are living in while dealing with problems that can be seen now all over the world.
Friday, April 7th at 8pm
Saturday, April 8th at 8pm
Sunday, April 9th at 6pm
Please RSVP (213) 382-8133. Our offices are open from Tuesday through Sunday 1 to 6 PM.
For More Information please visit: The Rifles of Carrar main page: http://booberry.com/alberto/Sites/Thefusilies.com/Index.html
Teatro Frida Kahlo Theater:
http://fridakahlotheater.org/index.html
New Film Works Screening of “You're Gonna Miss Me”
The Museum of Contemporary Art and Film Independent (formerly IFP/Los Angeles) extend an invitation to NALIP Members to attend a complimentary screening of the film YOU'RE GONNA MISS ME, directed by Keven McAlester, on Thursday, April 20th at 7:30pm
Q&A with the filmmaker and reception will follow the screening.
Admission is complimentary for members of NALIP plus one guest each. No reservations are required. Please present this e-mail invitation for entrance. Seating is on a first-come, first-served basis.
The screening will take place at the Silver Screen Theater at the Pacific Design Center located at 8687 Melrose Avenue in West Hollywood , CA , on the corner of Melrose Avenue and San Vicente Boulevard . The theater is on the second floor of the Pacific Design Center 's green building.
Parking is available at a reduced rate of $6 in the Pacific Design Center
indoor and outdoor lots. Enter from San Vicente Boulevard just north of
Melrose Avenue .
This screening is sponsored by MOCA, Film Independent, and the Pacific
Design Center . New Film Works is a monthly screening series highlighting
the best films from filmmakers working outside the mainstream. The series
presents contemporary narrative and documentary features that have not yet
received American theatrical distribution or release. The series aims to
expand the understanding and appreciation of independent film as a
contemporary art form.
For additional information, please call Maggie Mackay at Film Independent
at 310.432.1211.
You're Gonna Miss Me- Synopsis
Outside Austin, Texas, a 53-year-old man sits in a dilapidated apartment with four radios, three televisions, two amps, a radio scanner, and a Casio electric piano playing. All at the same time.
Thirty years earlier, Roger "Roky" Erickson was a rock-and-roll icon: the blues singing front man of the 13th Floor Elevators, considered by many to be the creators of psychedelic music. After a 1969 marijuana arrest, Erickson entered an insanity plea and was sent to the Rusk State hospital, a medieval institution deep in the east Texas pine forests. Three years later he emerged a changed man, and not long after, completely disappeared. Erickson now lives as a total recluse, shut in with his white noise. His only companion, his mother Evelyn, spends her days in a
crumbling house re-imagining her life through homemade films and collages of family photos. When Rocky's brother Sumner learns of his family's state, he vows to lead his brother back the life, and music, that's slipped away.
29th IWFF Announces Awards
Insects, Wetlands, Penguins & Parrots Dominate Top Awards at the 29th IWFF
Missoula , Montana , March 29, 2006 --- The annual Final Judging of close to 300 films from this year’s 29th IWFF competition is over and the jury’s decisions are in. Tied for Best of Festival is Life in the Undergrowth, a David Attenborough Television Series produced by the BBC and Norfolk Broads, a film about amazing Wetlands. The latter film was produced by an independent English film company.
But the organizers of the festival say the Best of Festival Prize was a difficult and highly competitive one, with the Final Judges debating for hours just to select a Best of Festival. Other films in the running included March of the Penguins, Queen of Trees and a quirky, funny film by independent American filmmakers with an important message about development and the potential for ecological disasters. That film, Plagues & Pleasures on the Salton Sea – Revisited, has won a Special Jury Prize. The judges were unanimous that the film was unique, stunningly different and brought attention to an issue that needed awareness.
Of the close to 300 films entered into the 29th IWFF, approximately 95 were passed on to Final Judging. For more than a week, the judges were sequestered at the Roxy Theater for what proved to be 12-15 hour marathon days of viewing, debating and ultimately, difficult decisions. According to executive director Janet Rose, “this may have been one of the most if not the most difficult judging session we have ever had.”
The festival organizers say film-goers this year will be in for a real treat at the Wilma Theater , where all of the films will be screened from Saturday May 13 through Saturday, May 20. Festival posters, t-shirts, tickets and screening passes are now on sale and available at the IWFF headquarters at the Roxy Theater or by calling, 406-728-9380. Festival programs with a full events schedule will be available soon.
For a full listing of all award winners, the film schedule and other festival events, please visit the organization’s website at www.wildlifefilms.org
NALIPsters
Bilingual Singer/songwriter and NALIP memberMichele Domínguez Greene will be doing a benefit performance for the Coalition for Humane Immigrants Rights April 7th, 8pm at Genghis Cohen Cantina (740 N. Fairfax, Los Angeles). An Emmy nominated actress (L.A. Law) with her debut novel being published by Harper Collins in June 2006, Michele Domínguez Greene is a long time activist working for political and social justice issues affecting the Latino community. Signed to Appleseed Recordings, an indie label committed to promoting social justice through music, Michele’s second Spanish language CD, “Luna Roja” will be released on May 23rd. Her novel, “Chasing the Jaguar” is a young adult mystery set in Echo Park with a fifteen-year old Mexican American protagonist.
Proceeds from the April 7th gig will go to CHIRLA and information will be provided to start a grass roots campaign to petition CNN to remove Lou Dobbs from their network. Come out, sign up and get involved in stopping the anti-immigrant fear that dominates the debate!!
|
|
|
Paid Internship - NALIP
Latino Producers Academy™
Deadline: May 1, 2006
Location: Santa Monica ( Los Angeles County )
Category: Arts Service
Compensation: $3,500 – 10-week Summer Internship
Travel: Yes – August 8-18, 2006 ( Tucson , AZ)
NALIP is a national organization that supports the professional development of Latino/a film, television and documentary filmmakers: writers, producers, directors, students, educators, performers & activists. We seek to increase the quality and quantity of images by and about Latinos everywhere you see media.
Program Description:
The Latino Producers Academy™ is a NALIP Signature program modeled on the Sundance Labs and WGBH Documentary Program. In its Fourth year, NALIP’s LPA selects documentary producer / directors and feature producers with directors and their projects to attend the 10-day intensive program that improves their skills, advances their projects and provides mentors and professional relationships.
Position Overview:
This is a dynamic summer position that exposes an intern to all aspects of arts program management, Latino media, documentary and film training/production, plus top industry professionals who participate as instructors, mentors and crew.
We run the program like a film production, so there is a fast-paced, fast-energy office that preps the Academy, assembles a production team, trains volunteers, travels participants, sets up the production work flow, wraps and reports out.
We produce stimulating, highly energetic professional programs -- Lots of work, but a fun and invaluable experience! You'll be guided by charismatic leaders who will inspire you to achieve the extraordinary.
Duties and Responsibilities:
The primary responsibilities of the Assistant Coordinator are to provide support to NALIP’s Programs Director and Production Manager during pre-production and production of our 4 thLatino Producers Academy by: maintaining workflow; handling telephone calls, e-mail and online communication with program participants and mentors; answering questions and processing applications; interfacing with the selection committee - admitting the 2006 Latino Producers Academy fellows from around the country; assisting in the recruitment and coordination of crews and mentors; preparing program materials; setting up production office; resolving administrative problems; ensuring operation of equipment; providing program information; maintaining supplies inventory; contributing to team effort; attend staff meetings. The Intern -Assistant Coordinator- will meet with their supervisor once a week to discuss issues and priorities.
Knowledge, Skills, and Abilities Required:
- Strong communication and interpersonal skills (excellent phone skills)
- Basic PC proficiency - Skilled in use of internet, e-mail, Excel and Word processing software.
- Organizational skills - Keeps files and work area organized.
- Must be energetic, self-motivated, solution oriented/problem solver, thorough, reliable and committed to high quality performance.
- Production – “Can Do” attitude
- Flexible (sometimes long hours)
- Awareness of or interest in independent film and documentary world.
- Maintains inventory and equipment to ensure smooth office operation.
- Demonstrates professionalism at all times.
Education and Experience Required:
Student eligibility for internship positions is limited to currently enrolled undergraduates who reside in and/or attend college in Los Angeles County , will have completed at least one semester of college by June of the program year, and will not graduate before December of the program year. Candidates are welcome from all areas of undergraduate study and are not required to have demonstrated a previous commitment to the arts.
Please visit the Los Angeles County Arts Commission website to read the specific education requirements at: http://www.lacountyarts.org/internship.html
**NALIP is committed to workforce diversity. Qualified applicants will receive consideration without regard to age, race, color, religion, sex, sexual orientation, disability, or national origin. Smoke-free/Drug-free work environment. All resumes are held in confidence. Only candidates whose profiles closely match requirements will be contacted during this search**
Do not miss this unique opportunity – Apply for this job!
Address:
Octavio Marin
Signature Programs Director
1323 Lincoln Blvd., #220
Santa Monica, CA 90024
Tel. (310) 395-8880
Fax. (310) 395-8811
octavio@nalip.org
www.nalip.org
The New York Times
Hispanic Films Have Yet to Catch the Same Wave as Hispanic TV
March 28, 2006 By CHARLES LYONS
MIAMI BEACH — The sizzle from a showing at last month's Miami International Film Festival had not yet cooled, but Francisca Schweitzer, a first-time filmmaker from Santiago, Chile, was already
coming to terms with the probable fate of her movie, "Parenthesis" ("Time Off"): like most films of Latin provenance, it remained unlikely to find a distributor in the United States, no matter what
the festival audience might think. "It is a small movie from a small country," said Ms. Schweitzer, 31, as she sat on a beach chair behind the National Hotel here. Nevertheless, "Parenthesis" is a slickly made tale of a Santiago relationship in crisis.
Along with the co-director, Pablo Solís, Ms. Schweitzer flew to Miami as a guest of the festival, an event that has championed a new wave of Spanish-language films. She had hoped for a North American distribution deal following a favorable review in Variety and a warm reception not only in Miami but also at festivals in Toronto and Palm Springs .
To date, however, no deal has materialized, pointing to one of the more confounding puzzles of the film world: the expanding Hispanic population in the United States , which totaled 35 million in the 2000 census and is projected to top 100 million by 2050, still hasn't created a market for Spanish-language pictures.
"A prosperous Spanish-language market hardly exists in the U.S. ," said Jack Foley, president of distribution at Focus Features. "The Latino market in the U.S. is not changing. Latinos most enjoy
English-language Hollywood entertainment. They want escapism and entertainment, exactly as the majority of American moviegoers demand."
Mr. Foley said films like his company's Spanish-language feature "The Motorcycle Diaries" and Lionsgate's "Amores Perros," as well as IFC's "Y Tu Mamá También," had worked in the limited independent art market. But he added that they failed to attract the broad, multi-ethnic Spanish-speaking population in the United States because most Spanish speakers here don't want to see specialized films.
Similarly, the exhibitor Cinemark USA , which in 2002 began the film series Cine en Español in a Dallas theater, found attendance to be lackluster. After less than nine months, Cinemark discontinued the series. "We just didn't have the numbers," explained Terrell Falk, Cinemark's Vice President of marketing and communications.
Hispanic television, by contrast, has long thrived in the United States . Last year, advertisers spent over $3 billion on the country's top three Spanish-language television networks — Univision, Talmud and Telefutura — according to TNS-Media Intelligence, which tracks advertising and marketing across print and electronic media. Moreover, popular telenovelas, like Telemundo's "Cuerpo del Deseo" ("Body of Desire"), can attract nearly two million viewers a night, according to
data supplied by Telemundo, which is owned by NBC.
Now, a handful of companies are trying again to lure that audience toward feature films. Cinema Latino, a Denver-based chain that operates Spanish-language multiplexes near Denver , Houston , Dallas and Phoenix , for instance, is aggressively expanding its business, said Jared Polis, founder of Sonora Entertainment, its parent company. Mr. Polis said his theaters play roughly 80 percent first-run Hollywood fare with the movies dubbed or subtitled in Spanish. The remaining 20
percent come from Spanish-speaking countries and are screened in Spanish with no English subtitles.
"In the past decade, we have seen the success of Spanish-language media, television and radio," said Mr. Polis, who spoke by phone from Denver , "and we believe Spanish-language consumers, just as English-language consumers, want to experience the magic of the big screen as well."
On the production front, Lionsgate Entertainment last November launched Panamax Films, picking Telemundo's former president and chief executive, Jim McNamara, to run it. "I believe the market is there," said Mr. McNamara, who grew up bilingual in Panama . "I spent six years going over ratings at Telemundo, watching what the Latin market likes and doesn't like, looking at who the television stars are. The idea is to apply that to the film business." Mr. McNamara, in an interview, said his company would seek out the broadest Spanish-language audience by casting telenovela stars in films his company acquires and produces, and through aggressive television campaigns on Telemundo and Univision. "What I am trying to develop are straightforward commercial Latin films," Mr. McNamara said. "We plan to go after the commercial side of the film business, and to institutionalize production, so that Spanish actors, writers and directors can see a future.” Panamax, said Mr. McNamara, plans to be involved with six to eight films over the next two or three years, with budgets ranging from $1 million to $3 million. First up is "La Mujer de Mi Hermano" ("My Brother's Wife"), which Panamax acquired and will release on 200 screens on April 14. The romantic drama features the telenovela star Barbara Mori ("Rubi"), who McNamara referred to as a "global brand."
And at least one key player believes the studios are eyeing the Latin market, too. "The studios are open now to revisiting this diverse Latin market and being a little smarter," said Yvette Rodríguez, who helped market films like "Maria Full of Grace" and "Real Women Have Curves," and is president of American Entertainment Marketing, a Latin marketing and public relations firm that specializes in the American market.” They realize that they are still missing part of the picture."
That missing part may emerge through greater sensitivity toward the audience, said the director of the Miami festival, Nicole Guillemet. "Everyone talks about the advertising power of the Spanish audience, but they still don't take the time to understand who exactly that audience is going to be," she said. "Who are these people? Second-generation Cuban? Second-generation Argentine? That's a big difference right there."
Ms. Guillemet emphasized the need to nurture Latin filmmakers, not exploit them. "We have to be careful to be sure that the new wave is not just a quick fix," she said, "not just a fad but something that is here to stay and support the exponential expansion of the Hispanic population in the U.S. "
Ms. Guillemet said roughly 40 percent of the films she programmed this year for the Miami festival were in Spanish, including six from Chilean directors, most of whom, like Ms. Schweitzer, are graduates of the film school Escuela de Cine de Chile in Santiago .
For her part, Ms. Schweitzer lamented what she views as the American film business's narrow take on Latin films. "You spend three years of your life on your movie," said Ms. Schweitzer, "and an executive looks at it and quickly says: 'It's not a comedy, it has no sex, there's no blood. I can't sell it.’ They see Latin America as a place with beautiful women, spicy food and exotic drinks. It's tough to get past that."
|
|
NALIPsters
SEEKING AN HISPANIC PRODUCER- DRAMATIC ONE HOUR SCRIPT
I am a New York based director and have developed a script with a New York writer entitled "Esmerlindo's Dream," it is an ideal project to air on PBS, an hour dramatic show. It is based on a true story and concerns a child in Special Education, 12 years old, from a Spanish speaking family, and the teacher who helps him achieve some of his well-earned reams. I produced and directed a short film, written by the same author that was purchased by ITVS and aired on Independent Lens. Director Sidney Lumet has signed on as Advisor/Consultant for "Esmerlindo's Dream" because of his confidence in me and admiration for the script. We have a lot going for this project.
Contact: Martha Pinson, 325 West 82nd Street #3 , New York , NY 10024 , 212-362-1894, 917-860-1078 or email mvspinson@aol.com
SEEKINGCASTING DIRECTOR $$-LATINO REALITY SHOW
Experienced, professional casting director needed for a new Latino reality show about married couples. Looking to hire individuals with previous experience casting reality shows and person well connected with the Latino community. This is a fully funded production, a paid gig.
Work will begin in May-June. Only serious inquiries. Those who qualify and are interested, please send your resume to: SpanishRealityShow@yahoo.com Thank you
DIGITAL STORYBOARD ARTIST WANTED FOR FEATURE
I am looking for a digital storyboard artist for a feature that will shoot this summer? The director is looking to get some work done now while he has the luxury of time. The ideal candidate will be an L.A. local who knows 3D StudioMax, but who is also willing to travel to location if need be once prep/principal photography starts. The film is a fact-based period piece set in the 1950s in Mississippi .
Pay based upon experience.
Candidates should say that they were referred by Jeff Gund, and email resumes to: ChesebroD@hotmail.com
Thank you.
Debbie Chesebro
Associate Producer
Job Opening - Program Assistant @ East LA Classic Theatre
Program Assistant is responsible for the daily office administrative duties for growing Arts in Education non-profit. This is a part-time position, 15 – 20 hours per week (3-4 hrs daily 5 days/week) $10.50 per hour.
Duties & Responsibilities Include: Maintaining and distributing calendars and scheduling databases; troubleshooting calendar issues; managing teacher bulletins; coordinating monthly workshops; answering phones and website inquiries; faxing, photocopying and filing; preparing routine office correspondence; assisting with inventory; assisting with equipment use and maintenance needs; running office errands; delivering program supplies and incentives; miscellaneous duties as assigned. Candidate must have experience and proficiency in Microsoft Word, Microsoft Excel and Microsoft Outlook (including Mail, Calendar and Contacts); be highly detail oriented; have ability to multi-task; have working vehicle for deliveries and errands.
Recruitment may close at any time when sufficient applications are received. After 90 days, employee will be eligible for consideration for a rate increase dependent upon funding and job performance.
Reply via email with resume and cover letter to artisticdirector.tonyplana@eastlaclassic.org
PROTEST FOOTAGE? $$
I'm producing a Documentary named "My Pass" about the growing anti-immigration movement in the United States . I'm looking for protest footage and minuteman project footage. As much as $200 will be paid for footage, more for interviews. If anyone can help with this project, please contact Greg Alvarado at www.mi-pasar.com
SEEKING PRODUCTION COORDINATOR
Puerto Rico based Production House seeking Washington , DC based local FREELANCE PRODUCER for one day shooting for a 30s AD. Preference given to 1.Those with previous experience in getting shooting permits at DC historic sites, 2.NALIP’sters, 3. Bilingual English/Spanish.
Please send CV or resume to: NALIP member Freddie Marrero at freddiemar@gmail.com
Hey NALIPsters
Anyone know any FANTASTIC harmonica players? If so, please pass along my contact information: sjm@ticaproductions.com, Thank You
SEEKING Composer
I am in need of a Hispanic composer for my short film entitled " Broken Circle". The short is a bi-lingual piece that stars Emmy winning actor Michael Badalucco. Delilah Cotto is the female lead. There is low/no pay. Contact: Aaron Sawyer at 818-235-3324.
CASTING CALL: San Antonio , TX
“Silencio”, short film
WHEN: Date: April 8, 2006 , 10am - 4pm
WHERE: 1160 E. Commerce Ste 100. San Antonio, TX (G2E offices)
Logline: Silencio is the story of one man's agony as he tries to come to grips with the destruction of his once happy family. Seen primarily through the eyes of Frank Dañado, we take a look at the slow destruction of his family members and ultimately his own.
Looking For:
Dañado Family (all need three distinctive laughs: funny/loving/kind hearted, mad/making fun of, disgusted/hate.)
Frank- Ordinary man of average build. Mid 30’s to mid 40’s. We see him first as a clean-cut average father Next he is broken/disheveled older man 40's, bookish, complete with a stereotypical professor's round eye-glasses. Must be able to speak Spanish or pronounce Spanish words correctly.
Crystal- Frank’s wife, late 20’s to mid 30’s Beautiful; we first see her as an all-American wife/mother, prim and proper Becomes, ragged barfly/alcoholic.
Young Sara- Frank’s little princess, 6-10 years old/ cute long hair. Must be able to burp on demand.
Older Sara- Teenager 16 to 18 years old we see her becoming a young woman-Becomes a prostitute.
Young Jimmy- Frank’s heir-a pair 5-9 years old
Older Jimmy- Teenager 15-17 years old we see him as young proper man-Becomes a drug addict.
Frank’s Boss/Best Friend- Mid 30’s to mid 40’s well dressed man. Very confident.
Store Clerk- Mid 30’s to early 60’s, Any Ethnic
Barfly- 30’s to 40’s, Typical Barfly- greasy hair, gold chains, the works.
Extras Needed - (2) Female Bartenders, (10) Bar crowd- typical mix, (12) Office Co-workers well dressed-business attire. (1-2) Pimps/ Any Ethnic, (6-8) Ladies of the night in street walker attire, (2) Convenience store customers, any type
Copy will be provided, pay for principal roles are deferred. For more info call Robb: 210-733-7465
CASTING CALL: New York , NY
*Looking for Actors*
" Bronx 3M" (working title )
Casting a new film, the story of three Latino youths coming of age in a city going up in flames.
(Maria, Michael and Mona) Looking for all types and ages -- especially teenagers and young adults. Bilingual (English-Spanish) a plus. Deferred payment.
Please send an updated photo and resume to: PRDream/MediaNoche Attn: Clarisel Gonzalez 161 East 106th Street, First Floor New York, NY 10029
"Bronx 3M" is produced under the auspices of MediaNoche's Digital Filmmakers Program and is made possible with the support of NY Foundation, Manhattan Neighborhood Network, NYSCA and individual donors.
CASTING CALL: Los Angeles , CA
Voice-Over
Talent to be considered for current and future projects such as HOMIE SPUMONIE TAKES THE LEAD and FAST AND FURIOUS III. Email resume/reel to: Sandra@vurv-inc.com or Mail to Sandra Varona c/o Vurv, 6121 Santa Monica Blvd. Studio A, Los Angeles , CA 90038 .
For information on Vurv-Inc. Please visit www.vurv-inc.com
CASTING CALL: Miami , FL
“EXPLORING LOVE”
LEAD ROLES:
SEAN: late 20s, American, smart, in touch with emotions, partial nudity, Matt Damon type
BASTIAN: late 20s, Spanish (or must look Spanish), charmer, partial nudity, Antonio Banderas type
SUZY: late 20s, professional, together, smart, Jennifer Aniston type
LORI: late 20s, easy going, beautiful, self-confident, Nicole Kidman type
SANDY: late 20s, sexy, opinionated, deceptive, Sharon Stone type
ANNE: late 20s, sexy, quirky, sensitive, Meg Ryan type
SUPPORTING ROLES:
TONY: 20s, wild, successful, surfer type
AMY: 20s, fun-natured, cute, playful
ROY: (Sean's father): 50s, easygoing but has serious side
LINDA: 40s, strong- willed, charming
MAGGIE (Sean's mother): 50s, successful corporate, go-getter, Hilary Clinton type
BIT PARTS:
HEATHER: 30s, sultry, model type,
MISS: 20s, emotional, model type
ROBERT: 20s, professional type
Auditions will take place Thursday, April 20, 2006 from 11am to 7pm , by appointment only.
(Please email picture and resume to truthspiritfilms@aol.com. Put pic & resume in body of email, not as an attachment, if possible)
PRODUCTION STARTS DATE : JUNE 12, 2006 , DIRECTOR/PRODUCER: BRENT BAMBIC
LOCATION: MIAMI , CONTACT: BRENT BAMBIC NOTES: Pay is deferred. This is not a student or experimental production; this is a professional, "micro" budget production which will premiere at the Sundance Film Festival. Excellent opportunity for exposure and experience.
|
More than $500,000 handed out in cash rich awards with Golden Mayahuels for Moreno , Gomes, Sistach and Buil. 
