January 19, 2006

SPECIAL INVITATION: ‘ Latina Confessions’ Screening, March 25 th, 2006 (NALIP--NY)

Dear NALIPsters:

NALIP—New York is pleased to cordially invite you to a special work-in-progress focus screening  of Louis Perego Moreno's documentary LATINA CONFESSIONS as part of the Media Coalition  Networking Salon Networking for Artist of Color. The viewing will take place on Wednesday, March 25th starting at 7:30PM at the Tribeca Cinemas, located at 54 Varick Street (1 block south of Canal, corner of Varick & Laight Streets).

FREE to current NALIP members and members of one of the Coalition partner groups ONLY.

TO RSVP , go to: http://65.110.71.154

For more info on LATINA CONFESSIONS: www.nalip.org/newyork/latina_confessions.htm

The Media Coalition Networking Salon Networking is hosted by the Tribeca Film Institute and sponsored by MTV Networks.

Louis Perego Moreno can b reached at Skyfeature@aol.com / 212-956-7771.


FILM SLAMS Are Back!

Join us at the first of the 2006 SA FILM SLAMs!

The beginning of "The San Antonio Film Series" kicks off FRIDAY, JAN. 27TH at 8pm with the popular SA FILM SLAM.  The SLAM provides a venue for indie-makers to screen their work and network free from any red-tape.  All Texas filmmakers are invited to "Just show up" with their work.  We screen all genres, on DVD or VHS.  It's first come, first served so get their before the time is booked!

The SA FILM SLAM
WHEN: Friday, Jan 27, 2006 8p
WHERE: The Apollo Playhouse / 1216 West Ave.
COST: $5/ $3 for submitting filmmakers

Call 210-694-4677 or E-mail: safilmslam@yahoo.com for more info.

*This event is presented by NALIP-SA and sponsored by NALAC and The San
Antonio Film Commission.

What is "The San Antonio Film Series"?
The "San Antonio Film Series" is a yearlong program of screenings and workshops that will foster independent film in San Antonio . Through collaborations with the San Antonio Film Commission, local arts and community organizations as well as universities, NALIP-SA will give culturally and economically diverse communities access to independent film in ways that are not presently available. Through celebrating and including filmmakers and audiences of all backgrounds, NALIP will promote the authentic, pan-ethnic diversity that is the real jewel of independent filmmaking.

Find out more at www.nalip.org/texas/sananto


Silver Lake Film Festival-- Los Angeles ' Leading Independent Film Festival in conjunction with Filmmakers Alliance and Withoutbox.com invites you to its 3rd annual Sundance Soiree

WHEN: Wednesday, Jan. 25 from 6:00 – 8:00 PM
WHERE: The Gateway Center / 136 Heber Ave. (at the beginning of Main St. ) / Park City , UT
RSVP to events@silverlakefilmfestival.org


‘On The Outs’ Opening January 20th

NALIPsters:

We are asking for the support of all Latino Organizations for the support of the premiere of “On the  Outs”—as you know premiere weekend is very important and any contribution helps.  The film is getting released in about 20 markets so please spread the word.

Danny Rodriguez
BellaVic Entertainment

Cast: Starring Judy Marte (Raising Victor Vargas), Paola Mendoza and Anny Mariano

Please support this film opening weekend. It deals with important issues involving today's at risk youth. It recieved two nominations at last year's IFP Independent Spirit Awards, one nomination at the Gotham Awards and won the Grand Jury Prize and Audience Award at the Slamdance Film Festival.

Los Angeles Theaters:
Laemmle's Fairfax on Beverly and Fairfax - Laemmle's One in Old Town Pasadena - Magic Johnson Theater 15 at the Baldwin Hills Crenshaw Plaza - Edwards Southgate

Opening January 20th
Official Movie Website

Thank you for your support and we look forward to seeing you opening weekend.

Polychrome Pictures
www.polychromepictures.com


Hip-Hop Goes Native

We invite all the organizations on our list to come see Hip-Hop Goes Native, With a Special Performance by Shadowyze Sunday, January 29; 2 - 4 pm. Witness the evolving nature of Native American identity with a special live performance of contemporary Native hip-hop by international rap star Shadowyze. Following the musical presentation, a panel of experts examines the connections between American Indians and African Americans, and explores the impact of popular culture such as hip-hop music, film, and performance on Indian identity today.

Presented in collaboration with the Julian C. Dixon Institute for Cultural Studies at the Natural History Museum of Los Angeles County. This program is free with museum admission. Reservations are highly recommended. Please call 323.667.2000, ext. 354 for reservations.

At the Autry National Center in Griffith Park , across from the L.A. Zoo, where the 5 and the 134 freeways meet.

For more information go to www.autrynationalcenter.org

LATINO MEDIA MARKET 2006 DEADLINE

Monday, Jan 23 – Yes! Now!!

You asked for it. A Market of funders, buyers, executives, broadcasters & commissioning editors just for Latinos, dedicated to NALIPsters and concurrent with Conference 7. Come make your weekend effective, productive, inspired. Apply for LMM 2006.

Do you have a great script or story idea that you want to develop with a studio or production company? Do you have the reality show that will blow SiTV away? Is your documentary ready for finishing funds? You belong at LMM 2006.

Special adjunct this year: documentary pitch mart for a select docs-in-development and the return of our feature pitch panel. Sign up for those with your Conference Registration. But for maximum business impact and direct executive attention, apply to LMM 2006.

Questions? Octavio and Mateo and Kathryn are always available: 310.395.8880 or 310.457.4445. We want to showcase the best NALIP projects to the people with funds. We look forward to seeing you at LMM 2006.


REAL WOMEN GO TO ITALY


Hollywood, CA.—Actress Aimee Garcia (All About the Andersons, Greetings From
Tucson) teams up with international star Victoria Abril (Max Mon Amour, El Séptimo Día) for the production of Lola goes to Roma, penned by award-winning scribe Josefina Lopez, with Italian writer/director Toni Occhiello attached to helm.

The project rides on the heels of Lopez’s highly successful play that was parlayed into the indie sleeper hit Real Women Have Curves, which grossed well over $5.8 million in box office sales. Marilyn R. Atlas, who co-produced, with HBO, Real Women Have Curves, and has had over 10 years of commitment to not only Latino themed projects and talent, but, projects that also reflect diversity and non-stereotypical characters, joins forces with producer Diane Cornell to develop and produce Lola Goes to Roma for her company, Skye Island Entertainment.  It is one of many such Latino projects on the Skye Island Entertainment slate, including El Grupo, a series to be produced for television with Josefina Lopez supervising the writing, and Pachuco El Spirito  to be produced with Marilyn Vance (Pacific Blue) and Gregg Vance.  Josefina Lopez has agreed to supervise the writing of the series also.

An adventure of self-discovery for both mother and daughter that begins in the streets of East Los Angeles and ends in a small village in Tuscany, Italy, Lola goes to Roma is the story of Roma, a third-generation, Mexican-American who, having defied Latina stereotypes by attending college and earning a doctorate, embarks on a journey with her mother Lola, who wasn’t as fortunate and succumbed to living out the traditional mother role. “I wanted to show how two people can go on the same trip but have different journeys,” said Lopez about the screenplay that will also be showcased as a play in Santa Barbra this spring.

Lola goes to Roma will be shot in the East Los Angeles , Spain , and in Occhiello’s home country of Italy . “I believe that landscape is its own character in this project,” said Occhiello concerning the use of authentic locations for this production.

Described by Cornell as a cross between How Stella Got Her Groove Back and How the Garcia Girls Spent Their Summer, Lola goes to Roma, with an estimated budget of $7 million, has garnered interest from Medusa Films, the largest production and distribution company in Italy . Principal photography is anticipated for early Summer 2006.

For media, distribution and financing inquiries please contact…

Skye Island Entertainment
Diane Cornell
Phone: (818)567-6190 ext. 101
Email: SkyeIslandEnt@aol.com


‘Cowboy del Amor’ to Premiere in LA, NY and TX Feb. 10, 2006

NALIPsters:

Just to let you know that a feature documentary I scored, Cowboy Del Amor, will be premiering on Friday, February 10th, 2006 , at the Nuart Theater in Santa Monica (and New York , Austin and Dallas ).  This documentary has won numerous awards and has charmed festival goers from Austin to Santa Fe .  Now it will be in a theater near you.  Please help us support this film in its first weekend (the box office receipts for the first weekend determines its overall theater success).  Tell all your friends and let's really pack 'em in.

For those of you who know Rossana and me and have been curious about my work as a composer, here's an opportunity to check it out.  For more information on the doc see:

www.cowboydelamor.com


Joseph Julian Gonzalez
Simple Music Productions

The HIT Play ‘Yo Soy Latina ’ is BACK!!!

Starring: Julie Alexandria, Jezabel Montero, Fidias Rae, Gina Rodriguez, Elise Santora and Ivette Sosa
Written by: *Linda Nieves-Powell
Directed by: Rick Khan

SHOWTIMES: Feb. 10-19, 2006

YO SOY LATINA ! is a funny and very moving ensemble play that challenges a group of diverse Latina women to examine their identity and their connections in the contemporary American landscape. The play’s premise unites these women who come to share their individual anecdotes of living Latina in contemporary America .  There’s Migdalia, a Nuyorican, who experiences prejudice from her own family because of her interracial marriage; Jennifer, a young Mexican-American college student who’s discovered her Chicana rights; Alicia, a Colombian actress who struggles with what keeps her from landing Latino roles because of the “lightness” of her skin; Maria Elena, a Panamanian, who faces inequity from other Latinos because of the darkness of her skin; Soledad, a Dominican mother who finds the courage to leave her machista husband in pursuit of her own dream; and Louisa, a Cuban-Irish who defends her right to be Latina. 

Playwright/*NALIP Member Linda Nieves-Powell, having recently been honored in Los Angeles with the prestigious 2005 Imagen Award for YO SOY LATINA!, has become an important national voice for Latin women in America and has created the perfect fictional setting to address the many real issues that are prevalent in the lives of many Latinas. YO SOY LATINA ! is expected by many to be as ground breaking in its voicing of Latina issues as For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf was for African-American women.

YO SOY LATINA ! was an overwhelming success at the Crossroads Theatre Company’s Genesis Festival of New Voices in 2005.  As many Crossroads audience members attending its preview at Genesis last year have pointed out, “This playis very funny, honest, illuminating and evocative. It has a unique power and universal appeal that transcends all ages and ethnic backgrounds.”  It is no mystery why such a gifted Latina writer and her play, Yo Soy Latina!, have been given voice on the famous Crossroads stage and are playing such an important role in the theatre company’s new culturally-expanded mission and rapidly growing audience.

YO SOY LATINA ! can be seen on the Crossroads Theatre Company stage from February 10 through February 19.

For tickets call 800-766-6048 or visit http://www.tickets.com/
browse.cgi?pgid=2015314
.  Student Matinees:  Feb. 15 and 16 at 12:00 noon .  The show runs for 90 minutes with no intermission.  For student matinees there will be a post-show discussion.

For Group Information call the Customer Service line at 732-545- 8100.

 

January 18, 2006

POINT OF VIEW
How Elite Universities Fail Latino Students
By ILAN STAVANS

The Chronicle Review section of The Chronicle of Higher Education, Volume 52, Issue 20 ( January 20, 2006 ), Page B20

This year's freshman class at Amherst College , where I teach, has 24 Latino students, or 5.5 percent of the total enrollment. There are almost twice as many Asian-American students (45), more Afri-can-American students (41), and more who identify themselves as mixed race (31).

You might infer from those figures that Latinos are a small minority group in the general population. Yet according to the U.S. Census Bureau, there were more than 41.3 million Latinos in the United States as of 2004 — about 14 percent of the population. Now our largest minority group, the Latino population is also projected to grow faster than other groups for the foreseeable future.

In other words, 24 is an embarrassing number.

It is no secret that applications from minority students fluctuate from year to year. Indeed, Amherst received more applications from Latino students for this year's class than for any in the past: 325. The number of accepted students was also a record: 115. But after endless maneuverings by admissions officers and others, only 24 enrolled.

I'm focusing on Amherst because I know it best. But I've spent hours talking to admissions officers and colleagues at other elite institutions in the Northeast, and, give or take a few numbers, the picture is equally bleak at most of them. The Class of 2009 at Harvard University , for example, is roughly 7 percent Latino. I suspect the same is true at many, perhaps the majority, of the nation's prestigious institutions.

As elite colleges constantly tell us, what they do matters: to creating the next generation of leaders for a multicultural society, to opening doors to the talented of all backgrounds, to sustaining a functioning democracy. From where I sit, they're not doing a very good job.

To some extent, the problem is systemic. While institutions in regions like the Southwest, where Latinos already make up a significant part of the population, are doing a slightly better job of recruitment, nationwide higher education continues to fail Latinos. In 2002, according to the most recent figures available, Latinos represented about 17 percent of the college-age population, but accounted for just 10 percent of all college students, and just 7 percent of students at four-year colleges. With the mission they have set themselves — to be the gateway to the American Dream — and the resources they have available, elite institutions should do much better than that. Why have they failed?

It's not so much lack of interest. I've been part of countless events on and off the campus where admissions officers entertain prospective "students of color" — usually with a generic program catering to a vague "otherness" that is supposed to appeal to a wide range of minority students.

Unfortunately what elite colleges have in good will, they lack in knowledge. Like most of our nation, they have little awareness of the intricacies of Hispanic civilization north, south, and east of the Rio Grande — beyond a vague association with an unethnic Jennifer Lopez and an asexual Ricky Martin. Latinos are a multifaceted minority with a labyrinthine history. A segment of the population has been in United States since before the Mayflower. Others came in successive waves of immigration from Mexico , Central and South America , and the Caribbean , as well as from Europe . Issues of race and class among Latinos are divisive. A mestizo laborer in Oregon, whose original home was in Guadalajara, has little in common with an upper-class Caucasian student from Monterrey, although both are from Mexico. Afro-Cubans, Puerto Rican jíbaros, and numerous other subgroups complicate the matter.

It gets worse. Our admissions office, like most, classifies Latino students from the United States differently from those who have a Latino background but come from elsewhere (they are considered "international" students). The latter, mostly from well-to-do families, rarely perceive themselves as Latino and are resented by working-class Latino students.

Then there is the issue of language. Latinos are embracing English as speedily as any previous immigrant wave, but they are not renouncing their allegiance to Spanish. The duality results in a heightened sense of cultural loyalty. Add to it a shared yet amorphous connection with similar historical motifs, cuisines, and a passion for musical rhythms, and the result is a sum of parts more than a homogenized whole. We haven't even begun to think about how to make our campuses welcoming to such a mixture.

Like other minority students, Latinos are also burdened with being asked to "represent" their group on the campus. The complexity of the Latino minority worsens the challenge. For instance, a Nuyorican student of mine was asked to orchestrate an evening about the Day of the Dead, a traditional Tejano festivity to which she has absolutely no connection. Refusing to do it made her feel like a traitor. That kind of insensitivity is palpable on campus.

Elite colleges also fail in recruiting Latino students because they often rely on a short list of qualified students — determined by SAT scores — from the College Board. Competing with other elite institutions for the names on that list, they flood prospective candidates with letters, invitations to campus, and more. That means that, roughly, the same 325 Latino students applying to Amherst also apply to similar institutions. The results are predictable. Amherst has pursued alternate strategies, like going through organizations in California and Texas , states with large Latino populations, to identify appealing "diversity" students. Success, however, has been minimal.

One handicap is that admissions officers, at least in the Northeast, are hardly ever Latino. That isn't a small point. Without someone in the office fully immersed in Latino life, the possibility of understanding its complexities is lessened.

Another predicament is that most presidents and deans of elite colleges aren't Latino either. Nor are trustees. In 1999, for the first time, my institution put a Latino on its board. It had taken almost 200 years. And then there's the faculty. Elite colleges in the Northeast are still lagging far behind in hiring Latino professors. Most teach in the humanities, not in fields like chemistry, geology, or neuroscience. Latino faculty members are not represented across the entire fabric of the college.

The lack of Latino representation is also felt in the development office. Latinos are slowly moving into the middle class, but over all they are far from affluent. At elite colleges like Amherst , money doesn't shape policy, but it ratifies influence. Without major Latino donors, the priority of recruiting this minority is likely to remain low for the time to come.

Furthermore, it is vital to comprehend what happens beyond the freshman year. The retention level at Amherst is superb: Enrolled Latino students tend to graduate at the same speed as everyone else. Still, there is a recognizable feeling of alienation. The consensus among faculty members is that Latino advisees seek their advisers less frequently than other students do, perhaps because they have a harder time building a teacher-student bond. Student organizations dealing with Latino culture are less active than other organizations — partly because of the small number of Latino students, partly because of the divisions among Latinos. The problem, therefore, becomes circular. The fewer Latinos there are, the fewer ways to make the campus attractive in recruiting them.

I'm aware that by focusing on ethnicity, I run the risk of being perceived as a throwback to the 90s, when there was more support for affirmative action and promoting a multicultural climate than I think there is today. Now, increasingly, the topic is class. I know some institutions are hoping that, by focusing on class, they can also attract more minority students. And I know they are eager to address the social disparities affecting the United States at the dawn of the 21st century. But I have serious doubts that class will prove to be adequate. There is no single, homogeneous working class in America . Ethnicity is a major factor in the way people perceive themselves. True, poverty makes few distinctions, but racism does.

Too often the fact that our elite institutions do such a poor job recruiting Latino students is still swept under the rug. To bring this issue into the light, and to finally do something about it, we need a starting place. I'd suggest that we set up a task force to go beyond the efforts of individual institutions. We could begin here in the Northeast, where the problem is so serious. Let's ask why we have so few Latino students enrolled in some of the nation's top colleges. If the system is the problem, the system is also the solution.

A few months ago, I participated in a panel discussion at Amherst for prospective students of color. There were four professors seated in a large, elegant room filled with almost 100 high-school seniors looking to make a choice. The conversation was about how Amherst is a terrific place to study, where resources are plentiful, and the facilities state of the art; where intellectual rigor prevails, and faculty members and students interact on a regular basis. By all accounts it sounded like a magnificent buy.

At one point, during the Q&A, a shrewd black Latino young man asked: Why aren't there any nonwhite professors in the room? I told him Amherst is changing. I stressed the fact that knowledge isn't ethnicized: You don't have to be Greek to teach the classics. Still, the number 24 kept popping up in my mind.

Ilan Stavans is a professor of Latin American and Latino culture at Amherst College . He is editor in chief of the four-volume Encyclopedia Latina: History, Culture, and Society in the United States (Grolier Academic Reference, 2005). His latest book is Rubén Darío: Selected Writings, which he edited with an introduction, translated by Andrew Hurley, Greg Simon, and Steven F. White (Penguin Books, 2005).

 *Professor Ilan Stavans also served as a Keynote Speaker at the 2005 NALIP National Conference in Huntington Beach , CA .

Story Courtesy of Chronicle Review ® and IPR ®


AIM TELL-A-VISION’S ‘CHANGE THE SAMPLE’ CAMPAIGN RE-IGNITES NIELSEN FIRE AT NATPE
- With Research Methodology Reeling, AIM Begins Knockout Strategy - 

New York, January 18 th, 2006 -The AIM Tell-A-Vision ® Group (AIM TV), pioneering producers and distributors of English language programming for the U.S. Latino market, announced that it has chosen the NATPE conference to continue its “Change The Sample” initiative to convince Nielsen Media Research, Inc. to change its language preference method of monitoring U.S. Hispanic TV viewing to a more accurate measurement based on nativity (U.S. Born / Foreign-Born).

In November 2005, AIM TV claimed the impact of Nielsen’s current but outdated statistical model was far reaching, resulting in little English language television targeted to the nation’s largest minority due to an over-estimation of Spanish TV viewing and under-estimation of English TV viewing among U.S. Hispanics.

Vice President of Nielsen Media Research, Jack Loftus responded to AIM TV’s initiative stating  “… if the U.S. television industry enthusiastically supports his [Robert G. Rose, CEO of AIM Tell-A-Vision’s] position that Nielsen should indeed change its methods of sampling Hispanic-Latino populations, then, obviously, we want to be responsive." 

“ChangeTheSample.com’s petition drive has logged an impressive, positive response in its first two months.  We’ve received hundreds of messages of agreement and support from TV executives, advertisers, trade and political groups, researchers and viewers,” stated Rose. “We will not quit until Nielsen recognizes the need to update their methodology to account for Latinos’ nativity. The current system costs national and local English language TV outlets viewers and tens of millions in ad revenue annually.  AIM TV is confident that its supporters at NATPE will help initiate this overdue change,” said Rose.  AIM TV will make “Change The Sample” presentations and gather signatures at its NATPE exhibit booth #639 on the show floor.

The rapidly growing company is headed into it’s historic fifth year of broadcast syndication and will also be screening three time Imagen Award winner American Latino TV ®, its companion series LatiNation along with the returning Sonidos (Sounds) music specials. New for 2006 are the American Latino ® Presents specials and AIM TV will unleash the long awaited pilot of PLAYMORE which targets American Latino and young demographics with video gaming, gadgetry, extreme sports and plenty of attitude. 

adam@aimtv.tv

www.AIMTV.tv


With 'Hostel' role, horror hunk continues rise to stardom
Tucson Citizen Thu, 19 Jan 2006 6:09 AM PST
Jay Hernandez's first big role was in 2001's "Crazy/Beautiful." Other film credits include "The Rookie," "Ladder 49" and "Friday Night Lights." The 27-year-old was discovered in an elevator in the late '90s.


Batanga.com Launches “Latinos en la NFL”
PR Web Thu, 19 Jan 2006 10:36 AM PST
HMI and McDonald’s team up to launch the first online channel exclusively dedicated to cover professional Hispanic football players in the NFL on Batanga.com [PRWEB Jan 19, 2006]


Walden acquires Allende trilogy about teen adventurer

Osbourne to produce first film City Of The Beasts set in Amazon rainforests.


The Constant Gardener leads Bafta nominations

Fernando Meirelles' drama heads the field with 10 nominations, Crash and Brokeback Mountain close behind with nine each.


Marcial Rios on Mun2

"Se Habla Rock" on Mun2 premieres Sun. Feb. 12.  Get into the real Rock Scene with Mun2 every Sunday hosted by Efro and produced by Marcial Rios.  Check your local cable listings for exact show times and repeat information.

Website: http://www.mun2television.com/


Two cable networks target English-speaking Hispanics
Two cable networks are offering English-language programming aimed at English-speaking Hispanics ages 18 to 34. SiTV and mun2, the latter being a spin-off of NBC's Telemundo, each claim to reach about 10 million Hispanic homes via cable.   The New York Times (free registration) (1/14)  


TOYOTA TO USE AD FROM HISPANIC AGENCY FOR SUPER BOWL
Conill Gets the Nod for Camry Spot as Saatchi Stays on the Sideline
Jan. 19, 2006 -- DETROIT (www.AdAge.com) -- Toyota Motor Sales USA's Toyota Division is taking an unusual step by using a TV commercial from its Hispanic shop, Conill Advertising, New York, for its appearance as a Super Bowl advertiser. See story at: http://www.adage.com/news.cms?newsId=47534 -- Jean Halliday.


+ PEOPLE ( 1/17/06 ): PARK CITY '06 :

Juan Carlos Rulfo: "I believe documentary filmmaking is the best thing" by indieWIRE

Mexican filmmaker Juan Carlos Rulfo directed "In The Pit," screening in the World Cinema Competition: Documentary section. His film, according to Sundance, chronicles the daily lives of the workers building a second deck to Mexico City 's Periferico freeway with their hopes, dreams and struggles for survival highlighted against the backdrop of a Mexican legend that says whenever a bridge is built, the devil asks for one soul. Rulfo won awards at the San Francisco International Film Festival and the Havana Film Festival as well as two Ariels (Mexico's Oscar equivalent) for best editing and best first work for "Del olvido al no me acuerdo."

Read the Full Story @ indieWIRE.com @: http://www.indiewire.com/people/2006/01/park_city_06_ju.html


Hanes Launches Ad Campaign Starring Mexican Celebrities
Marketing Y Medios Mon, 16 Jan 2006 11:54 PM PST
Two new spots for apparel brand Hanes today are hitting the airwaves on Spanish-language television. The campaign, developed by Chicago-based ad agency Lápiz, stars Mexican singer and soap opera actress Aracely Arambula and Mexican ranchera balladeer and actor Pablo Montero.


SUNDANCE GOES GLOBAL TO FILL JURY BOX
Directors Miguel Arteta and Alan Rudolph, actor Terrence Howard, cinematographer Nancy Schreiber and scribe-helmer Audrey Wells comprise the jury awarding the prizes for American features competing at Sundance.

http://email.variety.com/cgi-bin7/DM/y/ekKx0DbubY0Oe40BAW10Eg

 

Interns Needed IMMEDIATELY at Rising International Latino Production Company
( W. Hollywood , CA )

VOY Pictures is looking for interns to start as soon as possible.  Candidates will have prime exposure to an up and coming company that is aggressively developing and producing television shows and feature films for all forms of media.  Candidate will get a hands-on approach to learning how a production company works internally and gain invaluable experience that can be used in all fields of the entertainment industry.  Candidate will have direct contact with agencies, talent and studio executives.  Interns will also have international experience and help with VOY’s 2006 Film Lab taking place March 1-5.  Interns will also help in administrative duties, phones and script coverage.

The environment is fast but deeply rewarding.  Fluency in Spanish is greatly encouraged: reading, writing and speaking.  Please email resumes to: voypictures@voygroup.com.

NO CALLS PLEASE


Casting All Types for Web Spots - Pays $250

Susan Johnston Casting is currently casting 10-15 second web spots on website for FRAWG the cool new green drink sold at 7-11

**THERE IS PAY $250.00 buyout per spot pr/day (less than 8 hours) + 10% agency fee**

Looking for:
--Real People
--All Ethnicities
--Ages 14 to 95! (under 18 need to show work permit)
--Audition dates are this Friday 1-20-06 and 1-21-06
--Shoot dates are Feb. 1st and Feb. 2nd, 2006

You will be needed less than 8 hours on one of the above dates.

I am looking for people with special skills (i.e., juggler, unicyclist, fire-eater, etc.)
OR people who are right for any of the scenes below:

1.  Man and woman tango on the sidewalk
2.  Older woman break-dancing on cardboard
3.  Male dancing to rap music
4.  Male grabs his bike and starts doing tricks
5.  Woman grabs a squeegee from a person washing windows and starts singing her own song.
6.  Male runs to his car and slides across the hood “Dukes of Hazzard-style.” He drives off. (must have valid driver’s license.)
7.  Skinny kid starts doing pushups, jumping jacks and other exercises, while others walk by.
8.  Woman grabs a skateboard and does a few tricks ending with a handplant on the curb.
9.  Two teens - One is holding a basketball. They begin to do dribbling tricks with the ball – crossovers, etc.
10. Woman Dumps all of the contents out of several work buckets, flips them over and starts playing drum beats on them.

I have 42 roles to cast, so please email me your skill (juggler, unicyclist, fire-eater, etc.) and/or one of the scenes above in the subject line to susansitcom@yahoo.com   YOU MUST INDICATE YOU WERE SENT BY JEFF GUND TO BE CONSIDERED. Feel free to forward this if you know someone who would be interested!

I will call you or email you ONLY if you get an audition. Thank you, have a great day.  
Susan Johnston

Website: http://www.susanjohnstoncasting.com/

Tel. 323-969-4800


DOCUMENTARY INTERN NEEDED

Seeking an intern to dedicate a minimum of 2 days per week to assist the
producers during post-production of a nationally broadcast PBS documentary
based out of Brooklyn .  THE LAST CONQUISTADOR will air on the award-winning
series, POV.  Long-tiime PBS producer John Valadez is Executive Producer.

A world famous sculptor builds the largest statue of its kind ever created in human history, but Native Americans believe it is a monument to genocide and white supremacy. Literally caught in between are the people of El Paso , Texas where the statue is being constructed. They are the conflicted sons and daughters of both the Indians who were enslaved and the Spanish who brutalized them. Protests, conflicting visions of history and an artists quixotic quest transform this isolated border town in unexpected ways.

Intern should know Final Cut Pro because she/he will perform media management, dubbing and file exchanges with the editor. It should be great fun and a big challenge. An opportunity to receive a credit on high profile nationally broadcast film. Could lead to more work in the future.

If interested please contact Cristina at cristinaibarra@yahoo.com.

Thanks,
Cristina


Casting: " Hollywood Familia" SAG feature film
" Hollywood Familia"

This is a SAG Low Budget Feature Film.
If you can please post this casting notice ASAP thanks a million. I will be directing this film, we start shooting on January 23-06

Casting office contact number is (818) 845-1061
Production Office number is (818) 317-0276


I'm still looking for:

FRANCESCA- Latina Age 11/14
Francesca is one of the Leads, flashback scenes, She is very pretty, sweet
girl with olive skin, Brown eyes, and long dark hair. Must be fluent in
Spanish.  Spanish speaking role, only during flashback scenes…SUPPORTING.

CHRISTINA-  Latina Age 10- 13
Cristina is also one of the leads in flashback scenes. She is sweet pretty girl. Olive dark skin, Brown eyes and long dark hair.  Must be fluent in Spanish.  Spanish speaking role, only during flashback scenes…SUPPORTING.


Casting: "UNA ROSA DE DOS AROMAS" Theatre

"UNA ROSA DE DOS AROMAS"
FRIDA KAHLO THEATRE
AEA 99 SEAT CODE
Performances: February 23 to April 2
There is some pay!

NALIPeros:

Our next show will be the comedy UNA ROSA DE DOS AROMAS by Emilio Carballido. This play, already a classic of the modern Mexican theater, tales the story of two women who meet each other, at a police station while trying to get their husbands out of jail. They soon realize they share the same man.

We are looking for 2 women 30’s – early 40’s. MUST BE FLUENT IN SPANISH!!!!!!
--MARLENE: Voluptuous and a tad vulgar. She runs a beauty salon and it is her own best costumer.
--GABRIELA: A bookworm, very smart and independent. She speaks several languages and works as a translator.

Quien sea que este interesada o conozca a alguien interesado, dejenme saber de inmediato.

AUDITIONS IN SPANISH BY APPOINTMENT ONLY: Saturday 21 from 2 to 4 PM

CONTACT:
Ruben Amavizca
avytrop@yahoo.com


Casting Call and Crew Positions Needed

NALIPsters:

will be shooting a 16mm short film graduate student project for UCLA.  I am seeking Latino/a actors from 18 -25 years old to play college students.  I am also seeking someone 30-55 to play a Chicano Studies professor.  The story is of a young Latino who falls in love for the first time and does not know how to deal with his vulnerability.  He starts to become jealous and ends up losing his love.  I will be holding open auditions this Sunday from 5 pm - 9 pm at UCLA's Melnitz Hall, TV Studio 1.  Metered Parking is free on Sunday. The actual shoot will take place March 9-12 around the UCLA campus.  Copy and meal will be provided.  There is no pay.

I am also seeking a 2nd A.D, Line Producer, Grip, 2nd A.C, Set Designer, Costume Designer,  Makeup Artist, Production Assistants, and Craft Services.  Once again there is no pay, but copy and meal will be provided.

Thank you,
Roberto Navarro
323-842-4005
dvfilmdirector@yahoo.com

 

Editor

Alex Mendoza
Alex Mendoza & Associates
AMARTE Design & Digital Printing
9513 Longden Avenue
Temple City, CA 91780
626-614-8277

Co-Editor

Jose Murillo
NALIP
1323 Lincoln Blvd., #220
Santa Monica, CA 90401
310-395-8880
membership@nalip.info

 

 

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The Latinos in the Industry e-mail Newsletter is a free service provided by the National Association of Independent Producers (NALIP) with the generous assistance of Alex Mendoza & Associates (AMA) and it is provided in an “As-Is” basis and for the education and information of users only. It is not provided with the intention that users rely upon the information for any purposes. Accordingly, NALIP and/or AMA, their principal(s), employees, agents or representatives shall under no circumstances be liable for any loss or damage, including, but not limited to, loss of profits, goodwill or indirect or consequential loss arising out of any use of or inaccuracies in the information. All warranties expressed or implied are excluded to the fullest extent permissible by law. All comments and postings, including those by the Editor, are the responsibility of those individuals posting and no endorsement by NALIP and/or AMA should be inferred. Referral links and individual e-mail forwarding are permitted. NALIP reserves the right to withdraw or delete information or to discontinue this service at any time. All quoted, linked and/or referred information, as well as all copyrights and trademarks, are the property of their respective holders, used here under license and/or “fair-use” rules. ©2005 NALIP.