CONGRATULATIONS Fellow *NALIP Members:
LPA 2004 Fellows *Sonia Malfa and *Elisha Miranda received an invitation to bring their project "Outside the Wall" to the 2005 Tribeca All Access Connects program. The program, aimed at fostering relationships between U.S. based filmmakers of color and the film industry offers four days of meetings and event that will run concurrent with this year's Tribeca Film Festival (April 19 - May 1). One filmmaker in each category will win the Tribeca All Access Creative Promise Award, which will give $10,000 for a narrative or doc project and $5,000 for a screenplay.
Director/writer Elisha Miranda wrote the story of Talented graffiti artist Isa, fresh out of juvenile detention, who returns to her home in the newly gentrified San Francisso Mission and is drawn into an affair with an older, abusive woman. Producer Sonia Malfa received the LPA scholarship award to UCLA's Professional Certificate Program in producing, which she attends this summer, after the Tribeca market.
Director *Paula Heredia was also invited with her project "Patria".
Other notable NALIP Members joining them:
NARRATIVE PROJECT: "El Machito" - Director/writer *Alonso Filomeno Mayo
A retired English soccer star isn't adjusting well to his new life as a scout until he encounters an extraordinary Peruvian soccer talent whose temper just might end his career. Producer Nina Leidersdorff. Drama.
SCREENPLAY ONLY: "The Undeniable Charm of Sloppy Unruh" - Screenplay by *Mario de la Vega
Texas, 1957: A charismatic, sometime music teacher, with a knack for seduction returns to his hometown to a mixed reception, determined to con his way back into his family's good graces. Drama.
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“MAMA SAID” To be Showcased @ 2005 Chicago Latino Film Festival
"Mama Said", a film by NALIP Member Yasmina Cadiz, has been selected to screen at the upcoming Chicago Latino Film Festival, April 8th-21st.
To visit the festival's Latino Concentrate web page click on this link:
http://www.latinoculturalcenter.com/Filmfest/SpecialPrograms/Concentrate.htm
Call for Entries - 27th Annual IFP Market
"Future Independent Film Classics Begin Here"
If you seek financing, sales, completion funding,or production partners, the IFP Market is a great place to professionally access industry execs face-to-face. An essential networking opportunity, it attracts hundreds of financiers, buyers, distributors, broadcasters, development execs, agents, & fest programmers from the US & abroad.
MORE THAN $150,000 IN AWARDS
Cash awards- $5,000 screenplay,$5,000 short and two $5,000 awards for African-American filmmakers. IFP Market Grants funded by Artists Public Domain. More than $100,000 in goods and services.
SUBMISSION DEADLINES
May 2
Early: Doc works-in-progress, shorts, features
Early: Narrative rough cuts, shorts
Final: Narrative Scripts
May 16
Final: Narrative Shorts
Final: Doc works-in-progress, shorts, features
Final: No Borders
June 3
Final: Narrative rough cuts
SUBMISSION & REGISTRATION FEES
-Submission: $40-$50
-Registration: $200-$450 (paid on acceptance)
-Students attend free
INFORMATION & APPLICATIONS
-September 18-23, New York City
-Apply Online: <http://www.ifp.org/Market27>
-Info: marketreg@ifp.org or 212-465-8200 x222
IFP MARKET INFO SESSIONS
New York City - Thu, March 31 and Wed, April 13 at 6:30 pm Puck Building, 7th Floor 295 Lafayette Street New York, New York 10012 -RSVP Online: http://rsvp.ifp.org
APPLICATIONS FOR WIF/GM LATINA NEW FILMMAKER
GRANTS EXTENDED TO APRIL 22nd, 2005
Applications are due for the Latina New Filmmakers Grant and can be downloaded from www.wif.org or www.wifti.org. Five winners will be hosted for a 6-day, full immersion in the business of filmmaking.
*The American Film Market® and the Independent Film & Television Alliance® are not affiliated with Latina New Filmmaker Grant
NALIP MEMBER PEPPER NEGRON DIRECTS OFF-BROADWAY DEBUT!!!
FEAR & ALL OF ME
A One Woman Show
Written & Performed by Corina Katt Ayala
@ The Producer's Club (May 24- June 12)
Tickets $20 in advance, $25 @ the door
TICKETS ON SALE NOW!!
Visit www.smarttix.com or Call 212.868.4444
Billboard Top Ten recording artist, Corina, who's hit song Temptation topped the charts in 1991, debuts her one-woman show FEAR & ALL OF ME; opening Tuesday, May 24 - Sunday, June 12 in New York City's Off-Broadway theater The Producer's Club (358 W 44th St, b/w 8th & 9th Ave).
For media kits or further information, contact Milly Bigay at Purple Velvet Productions (646) 436.7195, e-mail: taino78@yahoo.com, or visit www.corinakattayala.com.
NY—Special Performance
NALIP Member Raquel Almazan will be performing an excerpt entitled ‘The Virgin Stripper’, from her one person show “She Wolves: A Hybrid Journey of Women Through Time”. It is part of the event Avant-Garde-Arama (Family Values) at Performance
Space 122 on April 9th, evening begins at 8pm. Tickets $15 dollars. Info at
212-477-5288. www.ps122.org
Located at 150 First Avenue/ New York, NY 10009.
More info on She Wolves at www.shewolves.net and www.raquelalmazan.com
NY--WRITE YOUR SHORT SCREENPLAY IN ONE DAY! SATURDAY, APRIL 2, 10AM-6PM
WRITE YOUR SHORT SCREENPLAY IN ONE DAY!
(Aqui se habla espanol)
Saturday, April 2, 10AM -6PM at MediaNoche
Award-winning screenwriter/director Janis Astor del Valle takes you through the whole process: From concept to character development to story structure to outline and screenplay -- by the end of the day! This is an intensive one-day workshop covering all of the basics and resulting in an outline or script, depending on how much muscle you bring to the workshop!
Workshop fee: $250
For information or to register: (212) 828-0401
MediaNoche
Digital Film Studio
161 East 106th Street,
New York, NY 10029
SPECIAL $11 Tickets for THE WOMEN OF JUAREZ
Grupo de Teatro SINERGIA is proud to bring back THE WOMEN OF JUAREZ, the gripping drama written and directed by Ruben Amavizca and starring Ingrid Marquez.
THE WOMEN OF JUAREZ is the story of a mother searching for her missing daughter, only to discover an intricate web of misogyny, drug trafficking, police and political corruption. THE WOMEN OF JUAREZ will be performed at the FRIDA KAHLO Theater, 2332 West Fourth Street , Los Angeles , CA 90057 :
In English: April 1 to May 1, 2005 .
In Spanish: May 6 to June 12, 2005 .
Fridays and Saturdays at 8 PM ; Sundays at 6 PM
$15 pre-paid tickets/$16 tickets at the door/$13 groups of 10 or more.
SPECIAL $11 TICKETS FOR OUR PERFORMANCES ON APRIL 1, 2 & 3
For information and reservations, call: 213-382-8133, or visit our web site at fridakahlotheater.org. Our offices are open Tuesday thru Sunday from 1 to 6 PM .
CA--SPECIAL EVENT: Small Business Expo and Conference
Date: Saturday, April 2, 2005
Time: 8:30 am - 3:30 pm
Location: 4301 E. Valley Blvd., Los Angeles, CA 90032
Cost:$15.00 before March 28, $20.00 at the door
(Fee Includes gift bag, continental breakfast & lunch
Information: Registration required, please call (323) 269-0751
*All workshops will be offered in Spanish and English
Expo Area Free to attendees.
Call 323-269-0751 for Registration Information
**Seminarios en Inglés y Español**
Martha Bringas
Business Services Coordinator
CHARO-SBA Women's Center
4301 E. Valley Blvd.
Los Angeles, CA 90032
Telephone: (323) 343-9477
Fax: (323) 343-9483
E-mail: mbringas@charocorp.com
REEL RASQUACHE: Cal State L.A.'s U.S. Latino Film Festival to Pay Tribute to Award-winning Landmark Film, “Raíces de Sangre”/“Roots of Blood”
This year's Reel Rasquache program includes an art exhibition and multimedia performances.
The event will pay tribute to award-winning writer/director Jesús Salvador Treviño's landmark “Raíces de Sangre”/“Roots of Blood”, which depicts the struggle to form an international union of garment workers in a Texas border town. The first co-production involving Mexican and Chicano actors from both sides of the border, it was selected as one of the 25 Most Significant Films of Latin American Cinema at the 1991 36th Annual International Film Festival of Valladolid, Spain.
Treviño, who began his career by documenting the 1960s Chicano civil rights struggle, is internationally known for his PBS documentaries that include America Tropical, Yo Soy Chicano, La Raza Unida, Chicano Moratorium, and The Salazar Inquest. Noted television directing credits include NYPD Blue, ER, The Practice, Chicago Hope, Dawson's Creek, Star Trek: Voyager and Deep Space Nine, among many others.
For updated program and Web site information, call Festival director John Ramirez at (323) 343-4207.
TX--Cinematografica Veliz Presents: "La Tragedia de Macario"
The New Film by Pablo Veliz Premiers April 2, 2005 @ Mc Allister Auditorium
San Antonio College:
1300 San Pedro Ave.
San Antonio, TX 78212
Doors open at 7:00 PM
Show starts at 7:30 PM
CineMujer ( San Antonio, TX)
The Esperanza Center and Palo Alto College co-present a week-long multicultural film festival, March 28-April 2, celebrating the tribulations and triumphs of women, from the personal to the political and all of the territory inbetween. Esperanza Center director Graciela Sanchez, a filmmaker who trained alongside Nobel Prize-winning author Gabriel Garcia Marquez, is the artistic director for the festival.
CineMujer films screen every evening at 7pm, Monday, March 28-Saturday, April 2, at the Esperanza Center, 921 San Pedro. Admission is free, but donations are welcome. For more information, call 210-228-0201 or visit www.esperanzacenter.org.
CASA 0101 / Los Angeles Theater Project, Inc.
Presents: 3 ALL NEW WORKSHOPS. To reserve your space
in a class send an email to info@latheaterproject.org or call (323) 263-7684 and
include your name and phone number and you will be contacted to confirm your
reservation.
#1--ACTING
(An on-going acting workshop for stage and film actors)
* Learn to develop and strengthen the persistent, hard-working, and disciplinary
attitude it takes to be a working actor!
* Learn to grow as an actor and realize your personal acting potential!
* Learn how to develop your natural creativity to work through emotional blocks and become the best actor you can be!
* Learn how to identify and overcome fear!
* Participate in a culminating performance where you can showcase your talents at the end of the ten week session!
This course i open to adults of all ages, sexes, and ethnic backgrounds.
Classes are on Saturdays from 10:00 a.m. to 1:00 p.m. at CASA 0101 Theater at
2009 E. First St. Los Angeles, CA 90033 on a continuous rolling 4 week basis
beginning Saturday April 23rd. The cost of the class is $150 per 4 week session.
First and last month's class fees are payable in advance.
#2--DIRECTING FOR FILM AND VIDEO
Directing for film and video is a workshop that focuses on the director's
preparation for shooting, by understanding the story and implementing staging
techniques, camera-composition and coverage. Addressing the "actor's process"
with the intent to increase the director's ability to gain the actor's trust to provide a
creative environment. Video-demos with outside actors will be a key component
to this learning process. We will also discuss the director's conceptual
responsibilities, giving "voice" to the director's vision of the film.
Classes are on Sundays from 5:00 p.m. to 7:00 p.m. at CASA 0101 Theater at
2009 E. First St. Los Angeles, CA 90033 beginning April 3rd and ending on June
5th . The cost of the class is $200.
#3-- WRITING FROM THE HEIGHTS
An 8 week creative writing workshop for the stage, page & screen. Taught by
playwright Ricardo A. Bracho, this course is open to all levels of experience and a
range of genres. Come join us at Casa 0101 as we write from the Heights, as in
Boyle Heights and as we write from the Heights, as in the next level of craft &
finesse.
Classes are on Tuesdays from 7-9pm at CASA 0101 Theater at 2009 E. First St.
Los Angeles, CA 90033 beginning April 12th and ending May 31st. The cost of
the class is $160. Special discounts for returning students!
ALISA VALDES-RODRIGUEZ, AUTHOR OF "THE DIRTY GIRLS SOCIAL CLUB,"
WILL HOST DOZENS OF LATINA PROFESSIONALS AT THE FIRST ANNUAL "SUCIAS" GATHERING IN SANTA FE, NEW MEXICO
May 27-30 - Hyatt Regency Tamaya Resort and Spa - Santa Fe, NM
Alisa Valdes-Rodriguez, America's most popular Latina chick-lit author, will play host to dozens of successful Latina professionals this Memorial Day, for the first annual "Sucias Gathering" luxury retreat, May 27-30.
While the focus of the retreat will be rest, relaxation, making new friends - and a good mojito or two - the Sucias Gathering will also offer inspirational workshops and talks by some of the most interesting and accomplished "sucias" in the nation, including acclaimed television producer Nely Galan, comedian Jackie Guerra, actress Jamie-Lynn Discala, and a gold-star panel of Latina chick-lit authors, including Alisa, Mary Castillo, Julie Elizabeth Leto and others.
To reserve your spot, contact the Tamaya's sales office and tell them you would like to sign up for the Sucias Gathering Retreat. (505) 867-1234.
Hot Tamales Live!
Sponsored by Lifetime Television and Adelphia Communications
Hot Tamales Live delivered another sold out performance last month at the Comedy Stores Main Room. Everyone agreed it was a great performance by the cast. Our CO producer Eva Longoria, star of ABC “Desperate Housewives,” made a special appearance and participated in one of the sketches in the show. The Hot Tamales Live were featured on the National Syndicated show EXTRA and received great reviews!
The show will perform the last Thursday of every month at the Comedy Store - Join us this Thursday, March 31st.
Adelphia Communications are also sponsors and are airing 150 cross channel spots per month. Adelphia has been there from the beginning and continues to support the show: “Hot Tamales Live opened to a sold out crowd and has a proven track record. We are proud to be a part of "The Hot Tamales Live,” enthused Ida Tagliente, Adelphia Communications.
Thursday, March 31st
Hot Tamales Live show at 8:00PM
The World Famous Comedy Store
8433 Sunset Blvd. ( East of La Cienega)
$15 per person/2 Drink Minimum.
Call 323 656-6225 for VIP press passes please call 310 451-2799
Featuring and Introducing the new: HOT TAMALES LIVE DANCERS!
Please spread the word and check out our new website www.kikikiss.com
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Filmmaker/NALIP Member Joaquin (Kino) Gil ( http://home1.gte.net/kino ), best known for his visual effects work on Contact, Starship Troopers, Godzilla and other A-Listers, his articles on hardware and software for production and for some of the tools he's programmed for compositing and production projects before setting up his independent shop, has announced that his Indie directorial debut feature "ZIPACNÁ" has been posted and beginning exhibition. The piece is intended as both a film in and of itself and also as a demonstration of Mr. Gil's completely digital entertainment pipeline for cost effective computer assisted film production, which he intends to offer to advertisement and independent filmmaking clients and investors.
THE STORY
In "ZIPACNÁ", (loosely based on the homonymous legend form the Maya Sacred Book or "Popol-Vuh") a perfect "B" movie and a fable aimed at young people of all ages, we follow Annie, a grad student and certainly no heroine, working at the Central City Museum, as she strives to translate a certain batch of recently discovered Mayan tablets by staying to work past the Museum's closing time.
THE FILMMAKER
Joaquin Gil started his affair with moviemaking at age five as the star of chaplinesque piece "Il Circo" by Italian director Luccio Ranucci. Puppet plays, marionettes and a full Guignol theatre occupied his younger years. While working on his anthropology major he played music professionally and composed music for advertising, film and theater. After graduating from CalArts experimental filmmaking program here in California, he was an international 3D consultant for Alias, Sony, Fuji and others until Hollywood claimed him. His credits include Robert Zemeckis' "Contact", Paul Verhoeven's "Starship Troopers" and Roland Emmerich's "Godzilla" to name a few.
THE CAST
The Annie lead role is performed by lead actress Heather Kuipers ("Lost" w/ Dean Cain), who has ample experience in theater and film. Casey, the male lead, is played by Kurt Finney, gradson and acting heir of laureate actor Albert Finney. The scheming Richard is played by Flemming Erik Carlson and for the fallen genius, Dr. Cortes, actor Manny R. Guerra, from "L.A. LAW" joins the cast. The Guard was played by L.A. actor Will Finley, who also wore a technical hat as boom operator along with Miss Boles and Mr. Huen. The script was written so that additional parts consisted of only one scene each, and L.A. musicians Oswald Bernard, Carlos Arias, Marji Arias, Chris Grey and David Camacho were cast in those parts to add their charm to the mix under the direction of Mr. Gil.
THE PRODUCTION
The production of "ZIPACNÁ" was completed, from acquisition to post, in wholly digital formats and was posted for distribution in video-friendly formats. All live action footage of actors and locations was shot as anamorphic NTSC "wide-screen" 16x9 at 24 fps converted to 29.97 fps for video compatibility. Interestingly, a great portion of Pre-production, Production and all the Post-production was done by one person using mostly existing hardware and software, although the choices tend to the high-end tools used in CGI for feature films rather than to the far more popular "desktop" consumer and pro-sumer tools: the setup had to be powerful but simple.
In order to bypass most of the perils of working alone, not to mention the perils of the compressed world, Mr. Gil used extensively the information resources at Creative Cow (www.creativecow.net), an internet site dedicated to technical discussions on products, processes and technologies for the professional filmmaking communities. "It's my technical department", points out Mr. Gil. "A higher level community of knowledge with far less belief on commercial hype than anywhere else I've found. Infamous exaggerations in the image industry like "72ppi video" and "Trillions of colors" are usually scrutinized and busted before they do damage, and you have a richness of points of view that is not readily found in technical paper publications, to which it is a great complement."
The piece was photographed by Mr. Gil using a Panasonic AGDVX100A electronic cinema camera (www.panasonic.com )with Century Optics (www.centuryoptics.com) high-luminosity extension film lenses through 15 short but intense shooting sessions of 4-6 hours each, working around cast and location availability schedules during the Summer of 2004. After each shoot, the footage (9 one-hour MQ tapes, including all practical effects and all the "clean" footage for animation, mostly shot on location or at Mr. Gil's studio) was transferred to a Huge Media Vault 1.8 Tb disk array (www.hugesystems.com) and a rough cut would be made in Final Cut Pro HD (www.apple.com) to check for inconsistencies so any retakes could be integrated to the shooting schedule. The advanced pulldown 2:3:3:2 allowed the cine feel 24fps to be preserved in the 29.97fps video realm and guaranteed that there would be no split fields across video frame boundaries, a critical requirement for the animation and special effects pipelines designed by the director.
All the project stages were coordinated with the "SUSHI" in-house tool, a program written and often revised by Mr. Gil that reads a "flat" text file of the script and creates a very fast "text only" searchable 3-Dimensional database of scenes, characters and locations that allows Mr. Gil to keep track and complete large chunks of production and post by himself. "You'd have to have an elephant's memory without it. Since I am the writer and the director as well as the DP and the VFx super, there is no need of meetings to decide what goes where. To remember it all, tho, I keep a SUSHI'ed version of the script with me in an ancient laptop running text mode. I can scroll to any scene, read or change the dialogue, make and retrieve notes for the shots and use the script in a very fluid way that lets me reconfigure the shooting plan at a moment's notice and still know where I left off later".
This was crucial, as the actors often needed to perform a scene in somewhat neutral locations and even empty rooms, many of which were later "dressed" with computer-generated elements or complete set extensions and replacements. The climax sequence required close to 80 effects shots with more than 200 separate elements. It takes place in a half-world, nor completely photo-realistic nor completely animated, in which live actors and environments coexist with digital ones. "Things were happening in the film that are supposed to be weird. Everyday places seemed inappropriate as a backdrop so the location was altered in look, including the replacement of the blissful summer sky with a stormier one, complete with wind and lightning".
THE POST PRODUCTION
Mr. Gil created all animation and visual effects work in his Marina del Rey CGI/DAW boutique "KiNO.digital", from September 2004 to February 2005, on an HPXW8000 dual-Xeon 3.3 workstation running Maya (www.alias.com), Deep Paint 3D, the Corel suite of graphic software, an assortment of in-house tools written by Mr. Gil and Eyeon's Digital Fusion for pre-compositing (www.eyeonline.com). An IBM Intellistation running Boujou (www.2D3.com) was used for the lengthy runs of motion matching and extraction of camera solutions that in turn were fed to the 3D environments in order to synchronize them with Mr. Gil's mostly hand-held camerawork. Computer-animated and camera-shot elements were then pre-composited with Digital Fusion into layers which were overlaid on the Mac-OSX side using the gFx software created by Curious Software of London www.curious-software.com) , processing everything in 16 bits to avoid artifacting and rounding errors typical of lower resolution domains. All the music soundtrack was composed and performed using Apple's Soundtrack in 16 bits and 48 Mhz.
The completed sequence materials were edited and finished by Mr. Gil using Apple Computer's Final Cut Pro HD and Pinnacle Systems Cinewáve, running on a G5 workstation with 1. 8 Terabytes of storage in a Huge Media Vault using a RAID3 configuration for safety redundance. "The combination of Final Cut HD, the Targa 3000 card from Pinnacle and Curious gFx is incredibly powerful compared to what we used to do films like "Contact" and "Godzilla" back in my traditional studio days", muses Mr. Gil, "Given the power of today's workstations and software I was able to research and condense great combinations of tools for approaching almost any job from a 30 second ad to a feature film in a very intuitive and clear manner. To be able to do most facets of the project by myself is simply an extra boon of using a true professional toolset".
The completed feature film, of 62 minutes and change in length, was output as a single QuickTime encoded asTarga Cine file of 72.7 Giagabytes and converted to a 13 Gigabyte DV25 version for limited distribution. The DVD was encoded from the 73 Gig version for optimal detail. For images visit
http://homepage.mac.com/
kinofx/zipacna.html
The trailer (Quicktime) is at http://homepage.mac.com/
kinofx/ziptrailer.html
Mr. Gil is already developing his next production. Stay tuned..
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Postings from Jeff: be sure to mention he sent you the posting.
Jeffrey R. Gund
The Info List
Jeffrey R. Gund Music & Sound Design
http://www.JeffreyRGund.com
#1--STYLIST WANTED
Sung Ju Ahn is hiring a Stylist for her television show.
JOB DESCRIPTION:
MORE THAN SKIN DEEP, a reality pilot premiering on the Healthy Living Channel is looking for a Stylist. Work from Thursday 3/31/05 to Monday 4/4/05. Only three outfits but must be THE ONE. Please send three digital photos (prefer .jpg) of women you have styled - 30 - 50 empowered, elegant and natural - and a resume to sahn@murad.com.
MORE THAN SKIN DEEP is an innovative make-over show with a shot of Novaesque, advanced science. It dramatizes a holistic transformation starting with the skin, then going into the body and eventually the moment of revelation, when the entire outlook of a person changes. It's smart reality.
#2--Development Assistant Wanted at Film Production Company
JOB DESCRIPTION:
Neo Art & Logic, a feature film production company, seeks an intelligent, competent, and responsible Administrative/Development Assistant.
Job duties include handling the phone, maintaining schedules, files, development reports, and script reading & evaluating. Our office hours are 9AM-7PM.
Requirements: Candidates should have previous executive assistant experience, script coverage experience, possess excellent computer skills, have the ability to multi-task, and deal with all that comes with working in a production office.
Salary: $500/wk
#3--Assistant Wanted for A-List Celebrity!
My friend Zach at Diverse Talent has asked me to get the word out that there’s a position open as an assistant to an A-List Celebrity (sorry, I can’t say who!)
JOB DESCRIPTION:
High profile celebrity actor looking for female personal assistant for full-time position. Candidate would be required to work 6 days a week, and salary is very generous. You will travel the world with this job and work on current movies in production. Growth is a guarantee. We are looking to fill this position immediately!! Serious candidates – You must mention you were referred by Jeff Gund, and please email picture (required) together with a cover letter and resume to zsolov@diversetalentgroup.com & Zach007@adelphia.net.
NICKELOEDEON ANIMATION STUDIOS
JOB OPPORTUNITIES
March 25, 2005 – April 1, 2004
Positions Included:
Storyboard Artist, Storyboard Revisionist, Character Designer, Background Designer, Prop Designer, Animation Director, Background Layout Artist, CG Generalist, 3D Layout Artist, Production Assistant, CG Modeler, Compositor, and more…
JOB HOTLINE: 818.736.3673
ACTORS Needed in San Antonio, TX—ASAP!
I need two males (ages 25 to 35) and one female (25 to 35), and extras who can be anything. We will shoot on Wednesday March 30th from 6 to 11PM. It is for a short 7 minute movie that will be put on the internet. They can contact me at mjdav2001@yahoo.com or (210)722-4753.
Looking for Script Writer— San Antonio, TX
I AM LOOKING FOR A SCRIPT SUPERVISOR MUST BE FLUENT IN SPANISH (READ, WRITE AND SPEAK). SCRIPT EXPERIENCE PERFERRED BUT WILL TRAIN THE RIGHT PERSON. EXPERIENCE ON A SET IS NECESSARY.
WHAT: NON UNION EDUCATIONAL VIDEO
SHOOTING DATES: APRIL 12 - 15, 2005
RATE: 175.00 NO TAX WITHHOLDINGS - MUST WORK AS INDEPENDANT CONTRACTOR.
DAYS WILL BE SHORT. INTERESTED PLEASE EMAIL LONGMAG@SBCGLOBAL.NET
FILM EDITOR NEEDED
Succesful Production Company requires ASAP experienced feature length editor to work on completed thriller film. Pay DOE. Needs to own editing system. Send inquiries, resumes to dannyrodriguez03@aol.com.
NEEDED: SoundMixer in Puerto Rico
I'm shooting in Puerto Rico and Costa Rica for the month of April. If you have experience as a SOUNDMIXER (EFP) for a HD shoot—send an e-mail inquiry to dp4261@yahoo.com.
Bill Garcia
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